THIS IS THE CALL TO THE WAR OF THE IMAGINATION
THIS IS MY STATEMENT OF MYSELF CONTA WAR, AGAINST EACH OF YOU AND ESPECIALLY AGAINST GOD.
WEDNESDAY 19 OCTOBER 2011
¿Eggs? or will you play Meat
¿Egg?
Alteration of systems in the inaugural speech of the flesh Experiences
-Miguel Rubio, you already know that I can not stop thinking as a representative of the caviar left, and the role it has played in our history caviar left for me is much more harmful than positive, which is a left been devoted to establishing a status quo on behalf of all of memory, represented those who asked to be represented, and that is the main filter for any possible revolution, which has supported the corrupt institutions of the system, but today things are changing, and people have developed their own performances, here's Bagua and struggles against the mining primarily and in the world is the indignant protest in over 80 countries, how you react to that, in Spain the struggle is not against right, is rather precisely against the third way, against social democracy, which finally proved more right than the right, how you react to your work, you just claim your stage space, but you stay in the game representations and discourse that is far from challenging the power, now that your status quo crumbles, how you react, you will be able to rethink the representative in your work, because I know that you're not a performer you are a dramatist, it does not become top performer and dares to give lectures and art workshops which even do not understand, Emilio Santisteban just question the concept of performance as body on display, moving to the idea of anything substantive gains form and effect.
I believe that to solve this question you will need a lot of courage, courage that never had caviar left for that very reason I brought you a gift, I painted my son very red color, which was once your favorite color, are eggs you submit it.
There goes one, "plashhhh" and there goes another "plashss" (which falls right in the text of his speech "
Director of CCE-You just make a performance
- Yes, y diles de mi parte a la izquierda caviar, que ellos no son nadie para construirnos la historia, que como es posible que hayamaos permitido que una comision de "ilustrdos" decida cual es la verdad de nuestra historia, la historia solo se puede construri en un intenso debate publico, la interpretacion siempre sera una guerra, en la que debemos de luchar todos. A partir de ahi lo que quedara claro sera la necesidad de contruir una nueva institucionalidad, la cual sera legitima, como para poder juzgar y castigar a los responsables que cometiron crimenes de guerra y de terror. thank you very much
Organizers of the house-(very angry) You should stop doing silly things, and not intervene in the work of others
- This is not nonsense, it is also a job, I tell them:
- Http://teatroloco.blogspot.com/2011/09/por-favor-no-domestiquen-la-performance.html
And I've met
Public-but it is a lack of respect
- Not at all quite the contrary is made from the front.
(This is my alteration of systems, in bad would be set in the action itself, look rather in the alteration that produces action, I reworked fiction and in this text)
Silence
Now let's Performa 1-page, I wanted to ask
(Emilio responds) dfkjñakjfñaskdjfñlkj fkjñfkjñlaskjfñlk dlfjdlñsfkj ldkfjñaskdfj
(While the employee of the CCE, which is forced to clean the eggs that I have drawn, and that just did not dare take me outraged at the fact that it does, Diana Collazos organizer of the event, looks at me as if to say look what you've done, I Remiro as saying look rather like the system is built, does the platform looks like you chose to organize your festival, and see who always cleaned the broken eggs, someone takes a picture of Michael with a smile forced, and with the employee under him, literally at your feet cleaned, Michael is frozen and has not responded to my question, has been silent, he said no comment, but the attempts to erase the traces of what happened, are impossible to turn the page, a young boy, said to have come from Spain, and that problems in Peru are much more critical, and suddenly we do need a much more radical art, there is another silence, there is more questions, it seems to be the end of the talks, but a female performer, raises his hand and says will try to break the ice)
Second-First criticize Christian performer, I knew you were going to manifest, and I think very well, just watching you knew you were going to do, but Michael is not Bush, you said you were going to make a gift, and I thought that you going to bring and give the eggs but threw, because that distance with a person who is near us, a person open to dialogue, your opponent with all dialogue or action canceled.
-Wait a minute I Miguel throws eggs for cogiera not throw them away, that he was not caught. And now I do not think Bush is our enemy now, or before, to me is much more dangerous caviar left my generation has denied any subversion, and go to a defense of the institutions and their system, it is need to look like caviar left has taken all the cultural apparatus, and since out of all speech that goes against the premise of market liberal and ending up with a memory recall speech, told of course for them, not us, and when the truth commission heard the voices of others, they did with their rules, clearly pre-established platform where people had to be 100 percent pure victim, so very, very careful with the left caviar , that as soon as Fujimori, accusing you of terrorism to intimidate, or as desvalorizándote strikers as a dog in the manger, they, just caviar left you out of place, that is implied by their silence and nonverbal gestures as inappropriate your speech, I misplaced it, or the clear fact that you can not talk because you do not belong to his class, of course that if you try to contradict them, but they will praise you with a smile, and at least believe it will already be Speak for yourself, care, clear look at who are the enemies, who are those who hold power.
(The roundtable discussion follows. Or try to follow, Emilio, I try to respond to my action, finding his position, first seemed to agree with the performer, only said that the questioning Yuyachkani is relative because people know that for them Yuyachkani, politically too direct. But this comment makes clear Emilio that my action is not understood, of course that is directly political Yuyachkani to the point that untitled mixed media, caviar make a pamphlet, not a work or or theater performer, is a shot of theatrical artifice and the performer to make a marketing commission of truth and an apology to Salomon Lerner, even compared with Manuel Gonzales Prada, absurd that no one could hold more, which their own interest to establish the status quo. Emilio going to keep talking during the roundtable discussion and say important things like criticizing the post modernity with its desire for narcissistic self-representation and in this I feel there is an indirect criticism to me, Emilio is trying to say that my criticism to Michael, being an ethical criticism to his person, is guilty of narcissism, we must move to collective representations, which I totally agree, but the ethical questions is essential, and this is in fact questioning staff, our problem is institutional in its relationship with the people or the reestablishment of the institutional, speaks first of a refounding staff, and this is only possible from the ethical question, my proposal is clear I am the companion enemy, the diacritic, then goes on to say Emilio tremendous nonsense, saying that because we will react now that the Europeans react, if before we react when they did not support us, such stupidity I can only be answered in another text, http:// teatroloco.blogspot.com/2011/10/hay-que-dejar-de-lado-la-idea-de-que-el.html
Then there was another exhibitor a forensic anthropologist, which greatly annoyed with my change, and said he had to let go of past speeches that he was talking about caviar, he loved to talk about caviar and that it was time leaving us to kill among ourselves, here subtly violence is accusing me and my work takes completely away with that, my actions are subversive front, and its main value of life, but the life lived and questions, not hypocrites, not of the lame ass, let alone those who are accustomed to taste like caviar, and other spicy flavors much hurt your palate, let's clear from that position and social sectors each the defending, which left more like caviar, to leave behind our identity class, then no, there's nothing more contemporary to recover our identities of class, the anachronistic, with all their speeches and fragmentation postmodernism come to be you. Emilio will continue speaking, touching the subject of an action of the first performer when he was leaving roses for the dead 14 MRTA Embassy in Japan, asked if this was a performer and the response was all positive, and it is true, I have seen several films on the subject a series, and nothing has had more humanity than this simple action of the 14 roses, which he had to go to the DINCOTE the performer who performs it, Emilio added that a performer has value for very fact to question things that were not being challenged, ie one can be against drilling, but simply to demonstrate against, and is giving a value to the drilling, to complete and close with a flourish Diana spoke Collazos the shed space)
Well Diana to discuss the action that has made here the French Christian friend, that your action is precisely what I mean that the forensic anthropologist that we kill each other, and for me what you did is a triviality, has no forcefulness are a dickhead who brought eggs and made a crazy idea
- Egg?
Rather not be judged by your reaction and your colleagues to touch meat.
Comments
(Answer only for fun ... and certainly without my colleagues agree to do so)
1. bet last night that 24 hours passed without frank cristian wrote his prank peruteatro
2. it seems contradictory that someone pretending to be a radical performance artist and questioning both the theatrical type in a list of theater people
3. I think coward when you have finished the discussion group left immediately. I would like to do a performance .. you directly, without threats (contempt for people who threaten, as you understand .. well ... I think the truly radical actions and then take their consequences) .. so face to face.
4. correct me if I'm wrong ... was not on the same platform with the q got a scholarship to Spain? ... because if so would contradict (more if possible ..)
5. I feel that your texts are usually more interesting than your actions .. I'm still waiting to change your mind
6. you really appreciate, I think a person questioning, and therefore valuable. sorry I just do not have sufficient capacity to self realize that all your intelligence and knowledge, all of your readings and you always end diacritical covered by your belligerent action that makes you look like the nutty of the street, the resentful. or maybe that's your strategy, be 'hated' for someone. I do not hate .. might even say I love you.
7. make political theater in the 80s and 90s has been really stupid, eat pure cane for being consistent with a feel for the 20 years is really stupid ... throw eggs at the old, in a 'platform' protected, knowing that nobody you going to do anything I feel crap window moth
exitos cristian dale ... ... hopefully we are out there and performer together. Straw would not?
and I will say to the barn they give you your certificate of participation.
Answer:
Well thanks for the love Pepe
First I'm going every day to the event, or at least the day I can, today I will try to enter the barn I hope there are no problems so performer pudes me all you want.
And if somehow it is my strategy to be marginal, I think from there is that one can question, so only a lunatic paresca is much better than being recognized and enter the network of hypocrisy.
Then no, the cultural center was not my platform to earn the scholarship Spain, but the fact is that if I supported it, while my work knew not until Richard told me that I never would open space and would talk to all directors of the other centers I closed spaces.
Enter a very strong diallectica Thus was born the work of criticism comedy workshop in 7 numbers, s you that you love my writing this is the best because it is the interface of all texts here you can review, and is enrolled in what I call biodramaturgia, which invests the writing of texts to be represented here are viveuna experience and then write Texoso to shed light on the subversion of representations in real life.
http://grupos.emagister.com/documento/taller_de_critica_comedia_en_7_n_uacute_meros/7029-689363
My process is not the one who told me all the spaces distance yourself from the beginning, I always wanted to go contrary to them and never got that's true, then question because I can not enter, because I can not do my work, there , and I realized how it works, with rings and woven idologicos, politocos, social, cultural complex.
And then I realized that the best thing that could happen was to be out of them, just so I could have an authentic process.
And there began a strong criticism of all of them, which I call dissent, but also infiltration, ie alter their logicas.en what I have specialized.
From there I am dramatist there is my work in the streets every day, as a dramatist I have more functions than any actor of my generation in this country, I leave all the 'days on the street, but mime is so theatrical that I demand search Now I am also a performer, I've become this and end up in a serious biotejedor important that you read this text in order to understand.
And now Rojitas throwing eggs on a platform to "protect" is certainly not the most valuable I've done, but my speech in costante SUSTAINABLE confrontation with the left caviar, which is the culture that handles all this passion, I'll consisted rather, try to think about reading that gives the caviar iquierda our contemporary history, if that is important and you like going to cost me DINCOTE, so I would ask you not stay with the eggs but rather so that the eggs produce, ie the touch of the flesh.
It's time to question Yuyachkani and representation language, and his speech left Cavair, it's time we do not let us build memory, and actually recover ours.
Beware that if your Ah certificates of participation, unlike the vast majority of the Participants of this event I would not do for the certificates.
In the article you say that your intention is to defend life. Great. That you are rejecting violence.
But I share the idea that throwing eggs at that distance. What you are doing is to cut the dialogue, as the girl in the discussion group said. Cutting the dialogue does not lose the drilling direction? It is the intent of the drilling opening a space for dialogue?
salvacha 1 hour ago
Yes of course it is to open a dialogue, not necessarily who I'm facing Miguel, but rather you or other people who share my questioning, or who are against him, it's time to discuss the role of caviar left on especially in the cultural sector and especially in its means and forms of artistic production.
Well I put my spoon to eggs painted red ³ Christian Franco gave two decade ago? As Miguel Rubio in the presentation of the program of performances in a cultural space. ³ That came on a link a friend sent me generously ³. Christian in the post to go ¬ deo that hung ³ YouTube calls for not staying in the effects of the matter (which personally, I did not have the outline of scandal with which circulates ³ by the network) resin ³ in the manifesto wrote, ³ rich metaphorical in the case. Not at Comic juggling eggs of red but the act itself. In Christian I see something that always caught my attention ³ n about that: the call to understand their actions and where they are addressed.
It's the same to what he refers to Rubio your understanding of VEHA ¬ n ¬ pol tico ass representing the actions to question how things are set to refer to power.
So it has come to understand that he wanted to say and not told clearly by the same issues of power that prevents many say what they think face to face.
This was clearly demonstrated in protest earlier this decade? As Francisco Lopez responsible for the theater group "Midnight Sun" was expressing this is ¬ a of Peruteatro, complaint banks them that the coordinators of the program "Living Culture" of the Directorate cultural Municipality of Lima bean ¬ an ¬ a busy most places in events.
We know that the core issue in the theater of pol ¬ Yuyachkani is tico, do work on it © in 2006.
http://es.scribd.com/doc/63787136/ENSAYO-ES-POSIBLE-UN-NUEVO-TEATRO-POLITICO-EN-EL-PERU (the server is somewhat heavy, but ...
it is displayed in PDF)
Give the taste bud ¬ pol tico to the theater and the performance goes through a real crà ¬ promote policy and the essence of a real policy is crà ¬ reconocimeinto first in the absolute silence of environmental issues facing that touch us directly as the relationship between work and the options market or ³ gicas ideology manifested in the works.
A medium lacking a real attitude crà ¬ policy and questioning, the loss of the ability of risk to think outside the box of "politically correct" is casting banks them complicity against the mà º multiple problems facing the PAA ¬ s .
At a time when the world seems full of "angry" (I personally prefer the tea © Terms "rebels") the crà ¬ policies are not as much to the resabidos failures of economic models and the incomprehensible ³ n of the value of life but to the speeches spent, the phraseological demag ¬ a false and logically difficult? as ideologues and their business skills and the meanders of the power of global social democracy seems also © n fall apart.
And eye that does not use the term "caviar" that seems to fry in their own oil.
The following scale on the agenda of struggles pol ¬ policies in Peru is the construction industry and positioning of the Place of Memory, already Slavoj Zizek deca ¬? Are How to understand the violent military strategy and genocidal Israel without the Construction of the great speech to victimized from the readings extracted from Judah ¬ Holocaust or the Nazis? obviously one thing has nothing to do with the other, but like Deca ¬ a mobster Allergic n Garc cachacienta ¬ a with laughter:
¬ policy in Pola, my friends, do not be naive.
¬ loop is that the subject clearly stepping out of the tortilla that Christian gift Franco Miguel Rubio, we refer to those circumstances that a global and neo Simultaneous leads us to interconnect the gestures and postures to find their meanings. On the subject of the commission of the Truth and Reconciliacià ³ n see the perfect setting for the participation symbolic ³ n ³ lica and ideological GICA because it beats the wound still open.
In that sense it has been therefore a real policy crà ¬ to work without AT TITLE / Tà ‰ JOINT TECHNICAL Yuyachkani the group returned to stage this year ± o. Work that ideological considerations hà bil, subtle and engaging led clearly to the propaganda of an established way of understanding the historical evolution of the PA is and relate, overlapping, in a comprehensible pol ¬ ³ n particular policy.
but of this there is much to write and not be in this Concise ± a, requires an investigation ³ n to define and explain the meaning of memory when you want to put out "all the voices ... almost all" of TRC's final report.
And to finish this writing will leave you with a link on YouTube "egg oil" from the Twisted Sister
http://youtu.be/4xmckWVPRaI
to dispel a bit since there poar decade ago someone said that Peruvians? as rea ¬ little and step we recognize other forms of rebellion performance ³ n. .. I will say ¬ a.
Miguel Blà Music
Artist â € "Professor
A PSYCHIATRIST PLEASE
A psychiatrist please, I need urgently, insult, offend, I show my ignorance and repugnant to those who dare to meet me sideways ... a psychiatrist please believe that everyone should be ashamed of opinion and to defend the hordes of ignorance as my precarious decalogo ... I know of what they say, not who is who, but my gut produce envy, bile and grow in the indifference of those who do not consider me an enemy / a to be unimpeachable, a psychiatrist please shouting their eyes and I claim biting the body hasten to shelter me, I am nobody and nothing seems that I will ... a psychiatrist please talk about art and scholarship, without knowledge of academia, or art ... a psychiatrist please blame all my troubles and I mofo muddying the clarity of the precariousness of my voice recently opened, so often despised ... a psychiatrist please foreign fats hate, I hate to have weakness of knowledge, I have dried the ideas and the desire to be good people, a psychiatrist please name and do I have a show of my alienation to the point of no longer be myself / a but only my sadness and playful claims of existence ...
A psychiatrist please, I live in a world of unreality where the sky is thick as melted chocolate, ground calls me and I sink into it, I smell and I have the taste gall of bitterness, contempt and placed dissenting opinions sanctifying vaccines on potions of trouble ...
I have sunk in solitude, I find my labors voices that flatter and flatter not because I have never received praise, not recognizing the fact that living in delirium, a psychiatrist please ...
Perhaps their presence can at last set foot on land or float finish in this universe that escapes me and I seem unable to understand ... a psychiatrist please.
Miguel I can say only that I know myself blushing discovered in the realm of MEQUEJE, lol but I see these days to question many things, he argues, is think about the role we have in art and especially its impact on environment and historical circumstances ... some such beauty will be a breeze or the wind carried QUEIMPORTISMO territories, there are so many things to say and so few willing ears to listen ... but more serious than that, many brains can not understand, sometimes even ... what is being said.
A teacher once told me that art (theater) is not explained, that the action says it all, that the public interpretation of it, is another area.
Happily we are discussing, even better, we are talking, you may not know how or even when, but something has to happen and when it happens that we find prevented.
It will be that when we talk of corruption, the corrupt does not even take into account that the PAA ¬ s hurting his attitude, but put their individual interests, imagine FORSUR predators, but also imagine the "luchito" in all districts and all classes, the police that a bribe and suggesting, the collector of the bike, the light technician, cable, internet, water etc etc, to Secretary of parties to the table judiciary or the serene walking and running around a botandole her things, I think also that if not for piracy would not have finished college, or mastery, and could not use the computer if I could use original programs ... we have to make a stopover and change or reverse what has been learned ...
Well, I'm depressed just thinking about it, I'll let you see an videito for our culture alive, tiny, tiny, not for the mass, aims to be effective, maybe one day we will.
http://www.youtube.com/watch?feature=player_embedded&v=anoShZc0clE
Christiam Franco said without mincing words, as is his style, which many think but are afraid to say so and I think it is time that many young people who are learning performance theater and things are clear as are some group and do not be fooled by her age.
Greetings Christiam
DEAR CHRIS AND BRAVE:
I just saw your perfor ROE, and I could not help but feel a shift in the heart. In my heart of a woman artist who is tired of being vilified by a bunch of mediocre that only serve to eat cakes themselves, in turn vilify the organizers of the culture alive, or worse, that vile worms crawling gnawing the rotten apple that will pull their large tables the gentlemen of the theater, who represents Rubio ... Do not forget that to this day my daughter reproaches me for not having loaded his childhood, and having to remember a guy named Julian Vargas hit me preventing me from work and leaving me in physical therapy that left me quite well, as until today I have my shoulder swollen, and the sad thing, say that the Peruvian justice system did nothing about it even though I initiated trial, which all players asked who I was told that he knew that Julian was well but none by their helplessness before the mighty Yuyachkhani, dared to say anything until the brave Piero Bustos, and three other people who complained to the institution, and one that told me what was coming if they did not ... But who cares? Except for the Maestro Mario Delgado, who in turn succeeded, at least, that answered my calls Rubio to your site, it was forgotten and all happy and content ... Yes Christian, I admire you and I congratulate you, because whatever your fluctuations and reason or unreason, YOU HAVE BEEN THE ONLY one who has dared to throw in the face Rubio its vileness. I'm sorry you have been sovereignly my beloved CCE, but I guess if it had been in local, did not come without a bruise, and are accustomed to act and Rubio Vargas, who started as a lawyer FREYRE Roi in front of me, a weak little woman prevented from working this year to support my daughter. What can be brought into dialogue with one so feared and hated at the same time? And who knows and takes advantage of that ... Now, your worms will Sobon to vilipendiarte, to tell you to desautorizarte, to want to humiliate you, like me, I'm banned from THIS SUPER smart, to publish something, for that matter, because this theater Peruvian IS THE THEATRE YUYACHKHANI AND FRIENDS, because this theater environment, only for the accommodation, I do not criticize those that come with caviar caviar flag to make his theatrical stage, since it is necessary that there also exists, but these gentlemen "yuyas" which assault, hoard and hide behind the flag on the left, and live, eat, develop ... and right, seem absurd, hypocritical, abusive and servile, it served both the government of Fujimori, VALE, the Toledo administration, who risked his head in the March of the four His, because I was at his side with dolphins, Bruce and 2 drunks who stayed ... Fujimori, right? ... And now with Humala has faced only the power purchased by Fujjimoristas ... OK? ANYTHING GOES! FOR YUYAS, or its director, who represents them. I feel sorry for those worms that are nothing on the tables and enlarged on the computer, it makes me laugh so much, those mediocre which I quoted in Miraflores for a "project" and planted 2 hours left me without answering the phone, and that as I did not want to participate, now applaud the merdacer Francisco Lopez goes to other cowards like him that "support" for peruteatrito ... or worse those who drunk me "take plan" and fill the facebook sober me of his "plays" for me to sell them to my students and when the living culture public tell me not to vent my personal life in this way , laugh, laugh, laugh, this medium seems not comedians, clowns and BUT I do not forget that other one that came running to ask how much do you pay? HOW MUCH YOU PAID? HOW MUCH YOU PAID? In my role as living culture, and now also applauds Francisco, instead of looking for issues related to his blood and his legacy is more important to these discussions and paper mail that hold everything: BRAVO CHRISTIAN, we do not need of pals or colleritas, or hitting that send players who disagree with them. Nothing justified, but it is important knowing voice, without a thousand exclamation points, not cronyism, with outstretched hands, not hide in your pockets ... as my teachers taught me, and my heart of South America. Always, as you said, we will be ones enemies, but that is cleaning up our acts stage, although I disagree that litter the floors of premises that have nothing to do with the rottenness of the Mede, because if something is rotting, no is the fault of the premises, or the CCE, IT IS BECAUSE WE allowed, because our silence we are complicit in the status quo ... for the next time you throw eggs at Rubio coward, let me know, I have good aim ... throw it in the face and purge like the roof of the enclosure becomes soiled. As you taught me Mario "The Hamlet is everything": "And thus the native resolution color pale sick spell of thought and enterprises of great importance and weight which in this respect, the streams are overflowing and lose the name of action. "
The people mentioned in this article do not necessarily share the opinions expressed therein.
Performer or eggs for that ... especially perfomeo say and just say ...
That's the ques  ³ n Franco Christian right?
Performer = ³ n actions scandal
NO I AM NOT scandal
(Summary of his act-actions ³ n)
The Last Queen
http://laultimareina.com
Do you expect an answer? ... (Miguel Rubio)
And defenders of Miguel Rubio moved to see her so vulnerable hero, icon made yolk in the shoes of his fellow tea.
Do not step on miguel blonde please!, (Seem to say) still could do fried eggs, an omelette or Torroja.
But the egg does not cook alone, all the institutional apparatus that supports it called culture and history of achievements of the 70 and 80 of which many have learned from theater, everything returned to the broken shell. But there is now the break that looks like vein in his forehead, where it will even out a little clearer in the form of matter.
But still no violence in what happened in each egg in the distance perched on the platform, only violent and egos grounded and polished.
What a powerful and loving is to look and talk the front and also how difficult it is to achieve it.
From here, you do a mea culpa for those interested, but I must say I am shocked and purified by this tragedy where the hero is punished and loved once.
Chistian French are great, my deepest respect and admiration for you. May God bless you.
Robert Motta Julca
Truth is not whether the second part of what accounts written is true or not, and perhaps do not matter or because at the end or the middle (end), not if congratulate, laugh, or putearte, or should do all three, but I will do none of the above, but still expected to happen what happened while you were present, that should have made surprise.
Altering the nervous systems.
rice!
ch.
#
Good Christian initiative, a great need to question these people apparently covered by that halo which gives them their approach to popular positions. And what has happened in the end ...? ran out of arguments to a critical act visibly significant.
On Thursday at 4:34 • I do not like gustaYa
#
Christian Rodriguez Franco Sera that touch meat
On Thursday at 5:08 • I do not like gustaYa
#
I touched the Melgar Emilio Egooo!
You do not do PERFO YOUR EGGS AND NEITHER DO YOU YOURSELF WHAT YOU THINK (The saddest)
Anonymous
Anonymous said ...
I liked what I did, but the next did not crash and neither that post with one hand what you do with the other is deleted, it is pathetic to talk about himself.
Mario Cruz Aranda Favio
Ibaguirre Silvio said ...
chris you are boss., anything you capocapocapocapocapocapoca
but you know what? are a tremendous webonaso you know nothing more than watch or look out and criticize others ... Fuck WITH YOUR PUTOTEATROLOCO
Great! Strong words, direct questioning, unambiguous-a symbolic bomb. How much more will take the hegemonic? Use the memory! (Ha) And what of the eggs seemed like a great detail: "... I have very red painted eggs ... are you submit it." Congratulations!
siemprecamino ago
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Ricardo Canales and unpleasant monse your drilling
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Tsinane Pe ¿?
October 20, 20:32 · Like
HAPPY BIRTHDAY GREETINGS TO ATILA http://www.youtube.com/watch?v=Vwe4aOYZANY ATILITA .....
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October 24, 15:28 · You do not like · 1 person ·
HAPPY CUM HEALTH ATILA `PLE ..
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Facundo Alexandro
"... A young boy, said to have come from Spain, and that problems in Peru are much more critical, and suddenly we do need a much more radical art, there is another silence, no more questions, it seems to be the end of the discussion group ...
Comments
FRIDAY 21 OCTOBER 2011
POPE WITH EGG
POPE WITH EGG
PART OF THE PERFORMANCE MEETS diacritical EXPERIENCES OF THE FLESH
I've stolen a potato warehouse space, installation of his work in anatomy notebook, try to keep it a hope, but it is very difficult, after seeing the reaction to my work, hiring security guards, and getting Pepe as my dog guard. It's too sad.
Before we get to see the work I had the opportunity to talk to Juan Ayala and Aurelio, and indeed the opportunity, because it is very few people with whom you can share ideas, and this is precisely what we were talking, they I asked about my work, and we realized, the total depletion of meetings and festivals, with spaces for display and not encounter much less to share.
Juan Ayala-Why do not you have presented to the convening of this meeting?
'That explains it clearly in my text:
It is impossible for any encounter in the design of this project, the platform that is done, as false consciousness will aim to share, the reality is that they want to occupy that space of performance in Peru, and thereby make the business performer, Standardized entertainment space, and away to the performer of his own essence of event.
Aurelio-But now, no space is made for sharing, is more than 20 years ago is not shared or questioning anything, and that is what is missing is a self-criticism
-Certainly not reflect on the process, the process itself is much talk about the lack of critics, but the first and that is the reflection in the process itself, but nobody takes that job, do not want make art, they want a seat in the art market, or at least in its stand.
Juan Ayala-And you can do with this windows
- It's time to throw a stone to break
Juan Ayala-Because no better an egg
- Yes, because no
- Ha ha ha ha ha haha
Aurelio-The problem with the egg is not going to be able to break the window
- Depends as tires, I try to pump.
Juan Ayala, not only will dirty the window
And the worst thing is that even they are going to clean
Aurelio-No they do not dirty their hands, always be sent to others.
Sad, really sad check
I saw the first work of gathering "smut", try to see minded, but what I found was a language school, some actresses just starting out, and Jose Ruiz, a former teammate of mine in cuatrotablas, and what I play is to rescue his craft, not an actor, because his ability to handle text is somewhat limited, not a dancer, because his ability to move is also limited, but is an actor dancer is a craft handles physical actions, which holds in space, very different from their peers who simply holds them all, but then jose is sent with his roll and attempts a performance, but remains a half-round, and fails to be, but in fact is the most salvageable all the work.
Is this the first performance of this meeting?
Well if so, is a hoax, there are no performance at all, let alone the concepts presented in a keynote address, "something that takes shape and substantially achieves an effect" Emilio Santisteban, because there is nothing substantial "action that transforms "Elena Tejada because here nothing is transformed, and mine" a way of life in which one alters and is altered through zero experience in renewing being. "
For much less ...
But now let's get to work, people's own house "journal of anatomy", suddenly there's meat in their work.
But the truth is that nothing holds him find all the influence the work of Carlos Cueva, with screens everywhere, everywhere facilities and the possibility of walking a guarded area.
They have hired two security men with their uniforms, which forbid me to touch anything, look but not touch, and do so with all gestural aggression seized in the office with this themselves pulling down all their work, is supposed to vary on memory and missing bodies, pain that they really do not feel, but that smacks one over and over and over again, without much respect for people who really suffered and fought in the Civil War terrorist.
But if Carlos Cueva find a rich language, which somehow gives viability to work, here there is only one kind of clutter, without further thought, and if all the defects of the language of Charles Cave, that is rootless because if Miguel risk missing eggs and finally find their work performance in Yuyachkani, Charles Cave, lacks roots, earth, this is so important to restore the Indian, all the time invested in appropriating Michael codes of representation of indigenous cultural events, why do not you find your own invested in India, its root in the earth itself from what it is and not trying to be what you do not born nor will be born.
More Carlos Cueva, even spent time trying to take root, and work with all their language is evaporated in a vacuum, but still can grasp interdisciplinary joint achieved, and that will not get near the shed.
It steals the potato myself, I gave another pepe and as a good watchdog it back to your site, Pepe happens to you, and what happens to the people of the house, as you may make that sad role, following me, watching me, and call that performance above that happens, as can anyone who has done such as lead drilling roses to the Japanese Embassy by MRTA dead, then not think about the significance of their action, have not thought about the performance, do not even know what it is, and above foolishly dare you call performance to watch me like a dog that happens!
I alter biotejer waiting with you, is waiting for you to creatively alter me, and I respond with repression, this, this is the left caviar, better not have let me go, the better would have been direct, to make their own performance in a paranoptico or respect their work yourselves, as you can ask someone to respect them.
And then I talk about Path Pepe and tell me they have placed a car bomb, and tell me how to Path going to face now, as my generation is going to be facing a proposal for taking up of arms, tell me how! Licking the wound that do not even feel, using the pain of the people, to continue providing feedback on stus quo book terrorist war path, not a war a couple of mad against a country, is an uprising against an unjust state to a country that never became a nation, to the misery moral, cultural, political, economic, in which he lived, and is still living, he had a reason, and declined in the most terrible nightmare that we could live in our history contemporary, comparable only to the Spanish conquest.
But tell me how can we deal with that!!
Perhaps it is not intended to change things to refound a new institutional framework in which we are truly represented, to build a motherland for all.
That is, if you really want to face to Sendero, if you really want to confront politically, ideologically and morally.
But you are far from even thinking with their whole being in the problem they are trying to play at work, fall into the same Yuyachkani speech, but even they have a craft to back them up, you have nothing, but that the possibility of their teams, their space and their guards.
That's the first thing I see in his work to enter, Cesar Ramos, have questioned even the speech of Cesar Ramos, cholo, cholo what?, Cholo unresolved conflict is permanent, you must read the Inca Garcilaso de la Vega to understand, but for Cesar Ramos, cholo is a celebration, is the achievement, success is possible to see a place in the decline of late capitalism, is as necessary to confront Cesar Ramos but unlike you, there you have, what right has any anthropologist and talk about the pain of missing body that is right, perhaps he feels, perhaps it moves, look how you read the text, as if reading the morning paper, of course this way of exposing you apprehend texts of Carlos Cueva, it is regrettable because these texts just lack roots, they lack the pope.
And hence Diana, breaking mirrors, and Bagua behind a painting by other pathetic that happens, who will steal your soul, do not realize, as you can get used to such a huge void.
I'm going with my dad, before the end of his work because the truth is not hate, not like you can do it, not even as Miguel Rubio, who has been advising them in this work can be done, as we can give a workshop on the open work, such as placing a text saying that the performance is the work unprotected, vulnerable, with cops on people, the whole process of his work.
It cost me take this pope, his cops told me that the return is a potato shit, and you really do not own.
More Saved me hoping to make a potato and egg, not really with you, but with the people who really feel the need for a performance.
Comments
From: Pepe Santana
To: Teresa Rodriguez Franco Chrstian
Posted: Friday October 21, 2011 20:51
Subject: Re: [peruteatro] Pope with egg
cristian,
seems that you feel that your biotejido is superior to others.
I wanted to 'alter' your presence, but I am just another tantrum.
continue to improve our biotejido
with love
Pepe Santana
Facebook: Pepe Santana
Let's do we improve the biotejido Pepe, that's the point, but now I have to go to Arequipa, my father needs me, I have to go to biotejer for ya, so will not go over the event, but we find it, sorry for not giving hand, now from here I give you a big hug.
Christian!
I am increasingly disconnected from the scene, without work and with almost the same problems of the time Transa ... only now
how hard board from the side that is still easy ... I see my son and I am moving away from so many people that it really look like a hermit ... I wish you well, and the other ...
What a pleasure reading you, I applaud your boldness performative blind, which I have read was not as extreme as you could do, and say blindly because they do not know exactly the details, so important in everything, but in that of performer import more ...
I disagree with the view that units have on the works of Yuyas ... because they make plays and create a performative space in their own estrus ... Eternal return and Mixed are in my view much more performative that much of what we offer these squalid disfuerzos of the formula used pun about the performanceros: "These young"!
On the shed for when intercourse did you saw how locked in the bathroom with Eli, taking an interview so low, that is, trans, what, God knows ...
Why become a place that bile is the son of yuyas and all this move that supposedly only wants to position itself as confrontational ... limping on the same side, read: sexual debauchery (especially gay: I am not even interested in that topic or bother me, but worth truths, I think there's a lot more everyday dramas that can lead foot, hand and torso to something more urgent and universal say - I mean the universe of Peruvians who do not have time or care about the artistic elite outfits), alleged petition on behalf of human freedom (Elizabeth Lino only with Last Queen, is effective but has overtones of activism); no greater consequence than a tantrum, careful selection of the complaints to pass the filter of political correctness, etc ...
What the Marcapunta, tip you, that is. No wonder, until now not see anything interesting about him, and he suggested I do a drill, this sharing - excuse my suspicion-I seem to get it behind closed doors when there is no public ...
So I have not bothered to go to the meeting, or other dance there, it seems that everything ends up typecast institutional aims, sizing, regurgitated and wrapped not in paper but newsprint and if it is present gaudy better.
In addition, the performative, drama poetry, not much will change reality, perhaps some spectator move ... but not all ...
As you can see I'm not so idealistic ... I think the most honest is to be active and seek to carry out joint actions with agencies if they can, to do something with correlate with reality (action is accompanied by a constitutional order for example), or else remain as lone eagle flying high and looking down on most of these mimetics accommodating, truths that are worth or interest should deserve ...
Then, if you were not so excessive in the process performer could ever ... We'll see ... nobody knows what the future holds, until one day we performer with Marcapunta, who knows ... but I must tell you, like you, and I like to read you more orderly, porphyry do not be so plentiful in the texts ... sometimes does not cause the thread to follow ...
HUG, FORCE!!
-------------------------------------------------- ------------------------------------------------
Tomas Force Temoche're in my mind and in my prayers.
These are moments
difficult
Tomas is going Temoche literally, but in the struggle
for survival
May 2 The hospital does not want to make dialysis
have learned that it is insured, then go to Rebagliati but here
neither want
serve as the home address corresponds to Zarate, but
in that
do hospital dialysis. In any case, try to take him to a clinic.
Anyone who can help her sister's phone (who accompanies him)
is 991 247 171.
And the soles account number is: 285 - 143 to 902 - 95 - 017.
And Dollar account: 191-22122270 - 1 to 26
The two accounts are in the Bank of Credit.
Fight for who has struggled to give dignity to the Peruvian theater.
-------------------------------------------------- ----------------------------
PART IX OF THE MEETING OF perfromance DIACRITCIA EXPERIENCES WITH MEAT PAN CONPAPA eggs and salt, tomato, onion, cassava, plantain, MEAT AND ACCOMPANIED BY PLAYING WITH RICE a glass of wine and HART ROCOTO.
MOVES ME DEATH Gaddafi, DO NOT BELIEVE THAT A REVOLUTION IN THIS minute tour MOST IMPORTANT THAT IS GOOD IN THE MIDDLE EAST, IS CLEARLY EXPLAINED TEROIA DYNAMICS OF CHAOS OF AN ITINERANT PORNTO IN VIVO AS YEMN PORTESTE BURNS AND ALL COME TO PROTEST, BY, AND GUN THE THING IN MIDDLE DOT Laughing AGAINST DICTATORSHIP, THAT HE HAD TO DO WITH THE OTHER ONE THING, DO NOT KNOW VERY WELL, BUT ONLY AS A SENSIBLEMNTE LISTENING IS ABLE TO DO THE PEOPLE, THE WICK IS ON.
My PUMP ACTION Heuven is igualUNA symbols that kindle WICK, A PORTENTICIMA of all against all, and me against them all.
MUSLIMS I admire, I feel UIN ARABIC, BUT NOT A MUSLIM, QUISERA CRISTIANANMENTE ACHIEVE ANYTHING, I admire your "holy" wars, but what I CAN NOT UNDERSTAND IS LIKE A WAR WITHOUT SANTA CAN BE BOUND BY THE LIFE AND BE THE ONE OR FROM THERE, SO IT IS NOT MY llamda A HOLY WAR IS A DAMN WAR, TO BE SAINTS.
NO MORE COMEDY without swallowing.
The work of Samuel, it seems a bad job HIDDEN IN THE ODD TIME, BUT it not be detached from THE SAME, JUST IN CASE THAT WORK IS NOT A FAREWELL, perhaps not CITE THE ANGEL OF DEATH NEAR, SO AS TO ESTABLISH A TRIAL, as a criticism of SINCERE WHEN PERFORMANCE IS PERFORMANCE WHEN DECRI WELL NOT AT ALL YOUR PERFORMANCE CRITERIA, I dunno, I can only AGRADECR A SAMUEL, HE IS THE ACTOR TO GET WITH ME identifiable, ie WORK, SAMUEL DIALOGUE WITH GOD LIKE ME, HAVE SAMUEL HOMOXESUALIDAD PROBLEM LIKE ME, MY ONLY THAT WERE SO Traumatic Experience TRAUMITICAS who decides that the only man I would go to IS WITH JESUS ACOSTA, SAMUEL MORE I CAN WORK YOUR DECRI ONLY THERE CAN THANK VI OF THE imagens When acting TUC, VI A BRENDA, A KAREN, A TDO ADMIRIABA PEOPLE IN SECRET I MERELY BECAUSE OF BEING IN THE TUC, SCHOOL OF I COULD NOT APPLY FOR LACK OF SILVER, AND EACH TIME THAT COULD IBA, and were delighted, I DID NOT KNOW THAT BECAUSE THAT WAS NOT THE DRAMA THAT I WANT, BUT HAD SOMETHING, MAYBE IT WOULD BE THE WORD CRAFT. TODAY IN BUSINESS There are currently only TUC, we will find and dial THAT YOU WILL ALL CURRENT THEATRE, PUUFFFF, fraud CAN NOT EVEN YOUR HONEST NEGOCVIS.
Thanks Samuel, wrath far beyond what you think value!!
From there I saw the work of Veronica Valium poet and his friend, love and politics fall like a waltz of cold water, and here could say the same thing that your instrument is stolen all the performance that your speech is slicked politco that the that no more poetry cvalor Apanas became extinct in the air, but the truth is that it is fascinated, and not for your instrument, it is something that I can explain oslo from my metarmonicos theory, the only thing I write in Pael and hand, and things that should not be written on the computer.
About drilling poetry in watching the trabjo
http://www.youtube.com/watch?v=i9i_S4mnVxo
this work is not simply the mass poem by Cesar Vallejo
do not say it looks like poetry but rather recreates the metaphor, by a biotejido experience.
Nothing more, just thanks.
I could not stay in the match had to travel to Arequipa my father is very ill and I have to care, but give me faltto had planedo many gifts to give, as epode m not left with the desire, here are, the gifts that I hope podérselos to personally someday quiere.Como sii God and know if you did not give me Siqueiros in MUCHS alike no matter where the dare, others will try to convince them that resivan.
The salt
You are the salt of the earth. But if the salt loses its saltiness, how can restore its flavor?
SIREV no longer at all so it is thrown out and trampled people.
This gift is for you mario delgdo
CREATIVE ontotheology RELEASE
Faith is Creativity
If you want to know the Word
Do what you want without fear,
but do not betray the poet;
A poet is so strong
as vulnerable as that is,
Holiness is the WORD
made Flesh.
Jusguez No Man,
for the damage you have done;
jusgalo not give as
in their desire to do good.
The HOLY IS LIFE.
Entiences what I'm giving mario?
Salt is the light, I am giving a new light, I am giving the passage of the theatrical antropolia, while the theatrical biotejido l ontotheology., As entiences not you step this other text.
http://teatrolocoteorico.blogspot.com/2011/06/dos-3458-biotejedores-se-preparan.html
Once you read this text, you have to love me more than you love grotoski, plus I have always liked me more, in fact I'm more handsome but just as fat.
Nome If you love me more than grotowoski you all your work salar.
This means that all your players will have my salt, now tdos lalamn me crazy, but come the day when each of my salt tomarn to spice up their work, and even their training, since you no longer even CRER in my many have done, so like it or not, eat of my salt, and you know what happens if you eat demaisdo dry.
So better take your before toemen your actors and season to taste.
If you do it is best that you remove them from the theater and you get a job as a sailor as an assistant auque is not it what you always wanted.
Mamma mia I'm much better than grotoski, stanilavski, Brecht, Artaud, beard, together.
I know I'm also much worse than the worst dramatist who hays known, but they even had more humility than I am.
But I am an artist Mario, a boy, an ego, a God.
The tomato
For Tomas Temoche
I will teach them a much better way.
If I speak in the tongues of men and even of angels, but I have no love, I am but a sounding brass or a cymbal discordant. and if I speak on behalf of God and understand his secret purposes and all things and I have the faith to move mountains but I have no love I am nothing. And if the poor sharing everything I have and even if I give my rpopio body to be burned, but I have no love, I gain nothing.
Having love is able to bear is to be kind, is not envious or be presumed, or proud or rude or selfish, is not angry or hold a grudge, is not rejoice in injustice but the truth. Having love is to suffer all believe tdo, tdo wait, endure tdo.
Love never fails one day of rpfetizar dejarna men, and no longer hablarna in tongues, and knowledge necessary ceran.
Because knowledge and prfeecia are things imperfect, llegarn come to an end when it is perfect.
There are three things that are permanent, faith, hope and love but the most important of these is LOVE.
And love for me is tomato and onion sweat, that is blood, sweat and tears.
Now of course love is much more than that, but I with my children, my father, my brothers j, and my love teresa, I just apprehending God is teaching me, but I am a student quite retarded.
But something Reconco apredi to alguein he loves, and take your love, I can crticar many things and I'll do and will do more than you love takes, and it is unfair, unjust TOTL Tantoo Quie loved a man in the disease encutre desprtegido so by the state and society is unjust, and that must be changed.
So tomatoes teregel
http://comerelcomer.blogspot.com/2008/10/tomate.html
and in thy name I gave it to tdos the playwrights in the world.
I hope to get up so I can throw you the totmatos you deserve since you have made many mistakes, but today I hope that every dramatist in this country, that you drank the lot especially theater theater riot forgiveness, give you their blood .
Onion
For Time and lalo David Quiroz Flores
I feel in my soul a sad death. Stay you here and keep watch with me.
I cried so many times in this way as an artist, how many times I thought that was good for this, how many times I was rejected, Cuñat times, and many more cry, Remember when you rejected my first official work crazy theater two sides in the competition ees ICPNA day of sadness for you along the ENSAD my expulsion, I suddenly thought because I have no use expuladsao, and watched the dark sky teresa, she wept for, if I was stronger pull to the curb and cried.
But even crying but that was the time we were overcome by fear, not pudimoshacer brother Lalo Quiroz work that does not repeat history, we face Ian Garcia, and could not prevent religated, result, death and corruption.
I hope soon we can carry out together the premises, the third congress of the arts, and will realize that he spoke Cundo spoke of the symbolic, it is time for the video of the flag appears on tdo but it is time to bring together the fragmented and renew the flag.
http://tercercongresodelasartes.blogspot.com/
Onions giving them the gift you are all artists in the world especially the visuals.
Sweat
From noon until three o'clock in the evening all the earth is in darkness. At that same hour Jesus cried out in force Eli, Eli, lama sabachthani? (Ie: "My God, my God why hast thou abandoned?.
The sweat will not I can give myself to put Chair each of you, but without the one I have faith, is our motherland neira Elizabhet wrong.
http://teatroloco.blogspot.com/2011/09/el-dictador-que-todos-llevamos-dentro.html
Yucca
Start, burning, healthy plant.
Violence
We are a country of Ciolos the Spanish raped us, we put the cross in the ass, we violate the republic, we violate capitalism and democracy, we violate their path and communism, and we continue to violate.
So tell me who is not violent, I'll tell you a hypocrite.
But it is time to stop all this violence, l have to sublimate it in action subversibvo symbolic in the game, you have to take it out of our trasros and put it in the rear of power.
And here my big gun
The comedy workshop criticizes 7 spots
http://grupos.emagister.com/documento/taller_de_critica_comedia_en_7_n_uacute_meros/7029-689363
After this work and not think of the theater but in the recracion of experiences, but to understand it please read these documents.
http://adagioalamor.blogspot.com/2011/09/las-tres-dimensiones-de-lo-simbolico-en.html
http://teatroloco.blogspot.com/2011/01/hacia-una-biodrmatrugia-de-la-propuesta.html
Arjuna would bring it to shore Savedra, to cease maria, and Alonso is not joy but lamerecen, would bring it to drink, Sanchiz, Barthes, cartun, Aristides Vargas, who were the ones who taught me dramturgia among many others, would bring it Shakespeare, or better yet Savedra Miguel de Cervantes, Don Quixote lamerece more more, but as a fictional character who only lives in the hearts of each, is the gift to all who has his quixotic Aque alive.
The play is about to blow up the ego, and become one in a black abyss that Tedo and eat it while going suvirtiendo tdo.
Household in biotejdio is not symbolic represents is revealed in real life.
This means that the representation space of play is out of the stage to go to life.
It is as if a poet was putting together a work, but their stuff are not made plabras palbras but the meat.
To do that the poet has to go to be a prophet like it or not.
Workshop called, because that's one stop shop to become a new human being is called crtica is critical because the search for meaning, so what INICA this work is a search Performática or rather double biotejido ie alteration , changing and letting alter.
I thought recreate the center cultrual expereicnia Spain, which is where the recess.
The biodramaturgia works well, we live the experience, and then recreate the experience in the text, then another the recreate, recreate it to change everything, but not losing the sense.
The sense in the biodramaturfia is based on zero experience to be over not being to be.
Exlatacion fear, sadness and apology to rebirth in the adage of love.
http://teatroloco.blogspot.com/2011/05/la-dialectica-del-espiritu.html
can do my work without asking permission I did not ask permission to take their own, there's my alteration to contest the English court, which included all the works that contest, and they sent me.
The comedy workshop in 7 critical number is the only book I've written and will write, I write now not only with words but with palbras biotejido made flesh, this work is the interface of all my writing and my whole life Vitacor . PIDAN SU EJEMPLAR A LOS CORREOS teatroloc@yahoo.com teatroloco_as@yahoo.es, hay versiones de hasta un millón de paginas, a cada uno se le dara una diferente versión totalmente gratis.
And that does not dare to publish it or companies to sell, this book gives, does not belong to one and only god tdos Quixote within.
The central thought cultral recreate Spanish in 7 days, I davir recreating and recreating teresa Mons, and several actors recreating Villacorta, Ricardo Ramon, but the center would dare give me the Spanish cultrual permission, and pay me what I ask because while you give it to tdos if an institution of power as the Spanish cultural center that is not nothing but the face of the phone and makeup of the entire Spanish investment in Peru that we continue to be violated, they want their space, em will have to pay me and all the people who go to biotejer it 7 times more than you have paid the best artist or conferenciasta that Haynes had on local us are much better than them, together.
As we will see later this is my great weapon to declare war, if you ask Who am reading the Salz raddomente bondy and then read the text that I have spent around Raez ERNET.
I am a prophet wrong, is that God does not speak for myself but for my mistakes, my alterations, always getting out there to talk and that buieno so, quisera give myself to God completely, but I've blown my ego so God made me I could not be any other way to be an artist, but unlike any artist that has come before me, my stuff is symbolic flesh, the biotejido.
If you really want alguein recreate this work to pop his ego, and to eat the world.
I will asegurop if you believe in me will go to the devil.
And they had no need to ask God to collect.
I laugh a lot when they talk about multiculturalism, when nothing Cren, that multiculturalism talk all they want is to steal culture, and then sell as a commodity, repeat and repeat ad nauseam that the strategy of colonialism nohemos uan up.
Well I have taken the greatest extremity coloniasmo to be in this war of the imagination, where I have become God, if you want to win this, war, because it is you who is the state I am, in alguein convviertanse but that I, and but the other way is that of Maria Faustina, next Doctor of the Church, read her diary, just above my work diary, but the fact is that any saint, far beyond me, but that does not come NONE artist, to say that is better than me, because so far I have not met NONE that more respect is Joseph veuys wakes me, and so all I'm much better than that.
Pray, pray that does not win my war against you, that God would expire, so you do together.
You say we have nothing nostro to do with your war was crazy shit.
And I'll say come for their souls.
The ego is muchmore capitalism stronger than all together, I've blown my ego, and from my network biotejdio me as I try to catch us, the web of globalization not know what to do to deternos, I've already won, they will you do not know, what is that while God gives me life for their Alams ire.
And if any of you dare touch my life or the life of my family, I promise not to take revenge, God will do it because I tell you a secret God hates, but unlike my hatred sick hatred of God is holy and righteous .
And if they kill me, I won open, is from the blood of a martyr, who awakens a spirit.
Remember, remember my war is symbolic.
Oren, Reuge them, pray for me, that did not win, but especially you and God, Father, Son and Holy Spirit Overcome.
Rueguenle Mary.
Hail Mary full of grace the Lord is with thee Blessed are you among women and blessed is the fruit of thy womb, Jesus
Holy Mary Mother of God pray for sinners, now and inthe nostro hour of our death amen.
Pray to God
Our Father who art in heaven hallowed be thy name, thy kingdom come Nostro, thy will on earth as in heaven Give us this day our daily bread, forgive us our sins as we forgive nostro also alos who trespass against us and we not drop temptation of the Evil lebranos.
Glora the Father, the son Glora, Glora to espirtu Holy Forever.
AMEN.
PDTA: If you do not believe me check this out I am the wolf.
http://adagioalamor.blogspot.com/2011/09/san-francisco-de-asis-patrono-del.html
BANANA
The water of the seas can not quench love, neither extinguish the rivers
This is to all men and mujers the world, and the fact that tdo living, and that not tdo the universe and God himself, I love catching tdos me and if you look at Andean intercourse.
http://www.youtube.com/watch?v=t47ORe-sMVc
or clear to understand you should read this:
http://adagioalamor.blogspot.com/2010/10/el-evangelio-de-la-matria-equivoca-mi.html
that this decision is especially Neydhi My aunt loved it and all true Christians crsitianos the world that still does not understand that love Jesus, passes let you stick your banana and you do not remove it.
Touching Meat
The fruit of the flesh is death
Just touch them, without going beyond die, but if it will be impossible to play nola renewed.
In my pumped meat egg touch, touch yuyachcani death, and in all contemporary art worldwide, is acllas principalemnte to which I am declarndo the war because they ate the meat and do not realize are muesrtos, without hope, without faith, there are those of galopon space excibiendo his death, unable to renew itself.
Perhaps to give to miguel eggs, not the gift my father also is dead now with cancer, which also left conviertió in provlamaba caviar when before the revolution, taught to love the burn, but not love God, to him my great teacher.
And in his generation to tda gift them the eggs so they do not charge, and finally to keep fighting, Renewed, just so their jobs and stop lcuhas these dead live.
I am a communist, but starting from the sacred subverting step by Marx,
http://teatrolocoteorico.blogspot.com/2010/06/manifiesto-de-la-comunidad-comunista.html
taking from the best, that there is and that is still valid, but the community is always communion, and communion, the symbolic and spiritually, in the sacred.
In particular I dedicate to my spiritual brother Miguel blasica with elquepronto hope we can resume our work in poetics of street clowns in red, the yolk or something if you like the slippers, as he miguel Calls to our work?
http://www.youtube.com/watch?v=f5DSA7pgf6g
Miguel's time to live, as long your unknown soldier is dead.
Served with rice
What are the blessings
May God bless you and make His face shine upon you.
And if not curse them, as I've asked it.
http://adagioalamor.blogspot.com/2008/01/la-teora-del-arte-subversivo-para-el.html
http://adagioalamor.blogspot.com/2007/11/la-teora-del-arte-subversivo-para-el.html
I became an enemy of God that was my only honest way to acermarme him.
http://adagioalamor.blogspot.com/2009/10/667-tesis-de-la-ontoteologia-apostatica.html
I'm in the creative liberation otontoteologia
But sin Cometindo the
The egotism of
Reguen why I ask for my
So you can go through in order to Obec God, that is the key to Self
Rice is dedicated to my Father, who need as much, if anything is to overcome lamuerte I can not, only God I can do, I can only touch it symbolically, and my father's dying, And I cry I cry to God for mercy, my God Mercy. Have mercy on us and the world.
The glass of wine.
Jesus' first miracle was turning water into wine.
I've wanted ismepre water together with water Jesus of Bacchus, and somehow you can, because Jesus is Life, is the Word made Flesh.
Look at all my work, and realize that you can, I still have not succeeded but you did it, brothers, become saints to do and really want to be better than me.
All my work I dedicate to my brother and my sister Salomon Franco Cesar Delgado, Franco Delgado and Lydia Ester.
And Robert Julca speck, as with all we biotejiendo, teresa framework Bernedo, Carlos Pulido, Jorge Alvarado, Julio Salinas, nadia alvarez, diana Collazos, Ricardo Yamaga, nanci visa, jose behr, Julia Ortiz and many many, Marjorie, Arjuna Karl Persian deny me the most difficult moments.
In particular the trans-Andean people, especially as Ferando mur Casamar poet Rafael.
They talented artists who still die of fear in them to all of you brothers.
And my great work uan do not get is the Holy Gospel according to St. John comic
http://adagioalamor.blogspot.com/2009/12/el-santo-evangelio-comico-segun-san.html.
I hope soon we can do together.
Tired Rocoto
I have come to set fire to the world and as they were already burning quisera
The bell pepper is the spirit, fire.
And there's more spirit than the Holy Spirit.
My spirit I gave it to my love aya my children, but what more prayer is that God filled with the Holy Fire Wayllusqa and Kie, and especially to Teresa de Jesus Rodriguez ramirez, my partner and my love.
http://www.youtube.com/watch?v=sUZQMKpI6gg
http://www.youtube.com/watch?v=xEeysVM6f30
http://www.youtube.com/watch?v=Bpy4NN3l3dM
http://www.youtube.com/watch?v=I66PnNqEyRY
http://www.youtube.com/watch?v=NfOrdf3Wf6k
And she tdoas I give it to families who love them, they are filled with fire.
And if you do not want, fill holy fire, but the spirit of the men know their history, to review not only the history books, much better if the elders, listening to what I could grasp Ernesto Raez.
But if you are interested in the Holy Fire, which the Holy Spirit will fill their lives, and give them abundacion life, water of life.
Read the Bible.
Now you will know that only a recipe or better biotejido performace that I have given, but in art and in life there are no recipes that everyone does the avocado as you like and you'd like, rest assured I'll go to alter
http://exaltacionalmiedo.blogspot.com/2011/09/proceso-teorico-de-la-alteracion-de.html
http://exaltacionalmiedo.blogspot.com/2011/09/segunda-parte-proceso-teorico-de-la.html
http://apologiaalatristezateatroloco.blogspot.com/2011/11/tercera-parte-del-proceso-teorico-de-la.html
http://adagioalamor.blogspot.com/2011/11/dios-me-gano-la-guerra-del-imaginario.html
and in fact can not be eaten without music, accompany him in the best fight music of all time hip hop
http://www.youtube.com/watch?v=28ty9QXif7M
Let's see when they dare Zone liberarce released. And admit that this video is the bitch, and I finally lifts ban publicarlo.Me to wait to restart the fight with you man to man whenever he has not betrayed its principles.
Oh and Pepe not think I forget you, you have awakened in me a hope and I will speak well agradesco had to improve biotejido, because in fact we biotejido, and this type of organization beyond all possible network, complexity and even effectiveness, information sharing networks in the biotifo life, truth and knowledge as I command you intet comprederme this text.
http://teatrolocoteorico.blogspot.com/2011/03/desde-una-epistemologia-divergente-o.html
and you and challenge you throughout the house to us we play a
Rune fullboll
http://teatroloco.blogspot.com/2011/01/reglas-fullball-cholo-juego-en.html
It's a game to make up, linking the futbaool, basketball, volleyball, and Latin American futbool with the biotejido.
Poruqe one thing is that we biotejido and another is that the work there is conscious and symbolic art.
To apprehend it you and I invite all interested biotejido training, we're going to make this November 13th at 12:00 noon in the field of Mars.
http://es-es.facebook.com/event.php?eid=268691766496677
And to play it, I put the court and you equipment, microphones, screens as you like super spectacular and call on all people.
The field is located in the Sacred Valley, which is happening in san juan de Lurigancho guarochiri, there's a community that tries to activate, so try to do with Charlie jara is more he invited me, but then riendio, I struggle, struggle, fight, and I ridn, just stop, prometiendone back, work hard with the kids, build forests, castles stones is always all there, and quite a lot of imagination, is a very interesting valley, there are many cuepos bumping people who fought in the Civil War terrorist, and there are many religions, including Israel, Mormons, Catholics, evangelicals, and more.
For me it is very important to enable the community is nothing else the biotijido and they love this game, some people in the community play for your team and one for my team.
I tell you that the game is won only when the other surrenders so it can duir days, I will never give up.
If you win back his dad will have them stolen.
If we the crazy theater Biotejido AS wins, I stay with her dad, and you give me the complete record of Andean intercourse did, and I forget my charger in his space and never had the decency to give it back.
I had thought to put this pope's ass carlos cave, or rather steal Magali Solier, Carlos cave that loves the media, put it to teresa in the vagina along with Robert, then take it wherever lucia, Freire and bachi, lucia and put it in the vagina for them to put it in the ass carlos cave is in the end they are the only ones who can touch, and keep carlos cave until it heals, and can then bury his father and take as a result.
So it is no longer safe in his actors and finally perfrom.
But I will not because you wrote me, wanting to improve biotejido, this potato is yours and it is to you that I must put them in the ass if you win, if I win you can me my ass, all whole piece, and only if healthy, because you may have noticed I'm bastanteenfermo, take out me and bury together in elvalle sacred.
I hope you accept, the truth is that I fuck and fuck until they do, and how really little or nothing can stop me, I hope your answer.
And those idiots who want to follow in my footsteps, then ask yourself accountable for their actions, I am responsible for the mine, and have done so cleverly that until now have encerrame nohan or the insane asylum or in jail, please do their own way, respecting the expreincia zero, are not I do not seek lambs lambs I look for wolves.
And it is clear that this declaration of war is mine and mine alone, Teresa is very against it, Robert does not have the courage to take, so this is my war.
I am the worst sinner egomaniac all aqunque as my pope to God all sins are equal, all or nearly all forgiven.
This war of the imagination is a gift to Him, Lord God of hosts.
And those who are already rindidno and has no desires of fight I say this.
Resists man, woman resists, resists artist resists.
http://teatroloco.blogspot.com/search?updated-max=2011-09-20T14% 3A02% 3A00-07% 3A00 & max-results = 7
and try not to be indifferent to recognize me, for not even try because there is nothing that I enojemas.
And those who try to recognize me and give me by and know métanselo premise where nop queizas receive, ie not accept another award which gave me ne sara sample jofre theater, which was an honorable mention simplemnte, digamma there is something more beautiful than an award like that, and more if you would get with a little letter full of affection to you and your work.
And the galleries, mueseso, cvulturales centers, publishers try to publish or display my work, not even think, you love to display publicary things that are dead and do not bite, because if you dare to publish anything I'll go mine personalemnte to bite, there is going one of my ideas, I will come with a nail and clavare right in the piping system so that lagaleria, center, theater, elmuesoe, fill with water and take pro end to our consciousness that makes contemporaniedad while you have been wrecked.
I am your comrade enemy, but'm his worst nightmares, tell me if there is a better way to unite, leave the seeds for you to finally get out of postmodernism, the trasmodernidad, and finally build the complementary currency with which I am dreaming.
My kingdom is like the mustard seeds, but if they look good they will realize that not more than poop stars aimed at revealing universes.
And do not think I'm happy being a prophet wrong, I will change soon, soon will achieve creistiano be a really, a saint, that is God is in me, and I finally overcome my ego, why pray, pray because they do not win the war.
QUE PASO CON EL HIJO PRODIGO DESPUES DE SU RETORNO AL PADRE?
TU PADRE, QUE ME RECIBISTE DANDOME ROPA NUEVA, PONIENDOME TU MAS CARO ANILLO EN EL DEDO, CALZANDO MIS PIES CON NUEVAS SANDALIAS…
TOMALAS DE VUELTA TE LAS REGRESO
HE ESTADO EN TUCASA Y HE SUFRIDO LA ENVIDIA DE MIS HERMANOS, MAS AUN LA ENVIDIA LA PUEDO PERDONAR, PERO LO QUE JAMAS PERDONARE ES SU MIEDO, CUANDO DESNUDO MI CUERPO A LA LUZ DE LA LUNA ELLOS Y SUS ESPOSAS TIEMBLAN.
CUANDO LOS LOCOS MIS AMIGOS, VIENEN A VISITARME, CONS SUS HARAPOS, Y LLENOS DE GRASA EN EL CUERPO, ELLOS CIERRAN SUS PUERTAS CON CERROJO Y TIEMBLAN.
PADRE ALLA FUERA ME ACOSTE CON PUTAS Y CON POETAS Y TE PROMETO QUE ENCONTRE, EN ELLOS MUCHAS MAS SENSIBILIDAD QUE EN CUALQUIERA DE LOS QUE HABITAN EN TU CASA.
LA RAMERA CON LA QUE LAMIA MI CUERPO, LLORABA TODAS LAS NOCHES POR LOS NIÑOS HUERFANOS, Y EN LAS MAÑANAS SUS PRIMERAS MONEDAS ERAN PARA ELLOS.
MIENTRAS QUE TUS HIJOS, MIRAN A LOS NIÑOS CON DESPRECIO, Y LES DAN DE LAS SOBRAS DE SUS PLATOS.
PADRE SI HAGO UN ENORME ESFUERZO, QUIZAS LOS PUEDA PERDONAR, PERO COMO PERDONARTE A TI QUE LOS HAS CRIADO, COMO PERDONAR QUE PUSISTE COMO BASE DE SU VIDA , EL TERROR.
POR ESO PADRE ME VOY PERO VOLVERE.
VOLVERE CON TAL CANTIDAD DE PUTAS, POETAS, LOCOS Y ENFERMOS, QUE DESTROZAREMOS TODAS TUS CASAS.
NOS HAREMOS EL AMOR EN TUS ALTARES.
Y TOMAREMOS DE TU VINO Y DE TU PAN.
Y A TI, A TI TE VAMOS A REVELAR.
For this I need a psitquiatra verdareamente need people who love me, and I truly love peuda.
Here is a much better way to biotejer, that God reveal to you the first thing to me every time I go auque by going to people who really piss as I really love you, I tire of jams thank you for the life of my children, whom I upset my mother and assume tdo time.
Let me finish by dedicating this poem to my Mother
Kirsten Traudy Delgado del Carpio.
MAMA TOTO
The most beautiful woman you have posido know.
A WOMAN
A dreadful altar I ask you, beloved,
Delving into the deep wounds of my life,
And full of desire of every heart,
I will make my spirit in the deepest corner
Child, in violation of blue enamel,
Where you get up, Santa wonder
with rough and knowing my rhymes mud,
marked with rhymes earnestly coal
I do, a huge crown your brow
and my own jealousy OH warmi heavenly!
Cut you know a rather narrow size mantle,
Hard, rough, thick,
Lined with sadness,
Your thanks and imprisoning anyone being able to see them:
What if I tear bordare missing parts.
Your gown will be my earnest desire,
That is the high Mass
And in the valleys wed,
Lining your body a kiss Indian red.
Since your feet day and night I am subject
Sandals you will make my self-respect,
Sandals of my briars and thorns will preserve
And you take the divine form and keep you.
If my art does not succeed in his clumsiness thankless
Give an aura of calm moon,
I will put down your plants the deadly snake
The chest and belly bites me wickedly,
And your heel Holy crushed, O Glorious!
His forehead and his mouth stupid disgusting.
Really put my dreams in a row
On your altar of virgin and burn like wax
And with fiery eyes looking at you sweetly
Consumed all the lights go eagerly.
As soon as everything is mine going to you,
Yet I will incense, myrrh, aloe, benzoin,
And to you, eternally snow-white summit
Vapors rise in my soul destitute.
Your transformation OH, glorious woman!
Beginning in Maria, continue in Dolorosa.
OH unquenchable thirst for the vote too much!
I arm piously with seven crossings:
Of the seven crossings will seven swords,
Steely blades, handles tight
And opening in the depths of my love another wound,
The taking off my chest clavare life:
S open in eight wounds my heart trembling ...
Your heart is dying,
Your bleeding heart.
And my grandmother, and my abuielo whom I had the grace to care for, and my uncles my cousins, my amigosd to juancrlos by tugal, to cross juancorl sevallos Claudia Talavera to fight santigao Soberon to walls, which mehizola I'ma ccritca capocapocapoca diceindo thing, which I think is critical lamejor I have done but did not leave his name and symbolically personal thanks to all that Yudan Antos, corrupt politicians, corrupt politicians good vargasd victor and This gift will http://www.youtube.com/watch?v=jI4UxyzOhHs, Joshua, now doing my armor, and Emilio, and all around,
In order to so many and so many people pray to God to give me the opportunity, arles your gift, be ready for that, understand what it's like a war imagery,
http://teatroloco.blogspot.com/2011/05/la-guerra-de-imaginario.html
And they believe that this is crazy, look at the times, look at the leaves, see what happens in Mexico, look at the violence around him, humanity is at stake.
Therefore
I will soon tremble for you.
Teimblen !!!!!!!!
http://exaltacionalmiedo.blogspot.com/2007/03/quinta-pgina.html
Soon the system began to blot out my works but the system or even intervene in the internet, and no longer able to share as I do, so apuerense to copy, publish and everywhere, on tod in the heart, if the system do not, I will do it as soon erase everything, at least all you can delete, oh and if you want a work alguein spice, give me your gift if you have a sweet aroma (oh do not give me anything huevads, I want money jangling chin chin to the ass metérselos imbeciles) are lahago, if not send him to hell.
Oh and do not forget to shake !!!!!!!!!!!!!!!
In the name of Jesus Christ
Amen.
PLEASE !!!!! Tame NO PERFORMANCE OPEN LETTER TO THE LORDS OF ELGALPONESPACIO
PLEASE DO NOT PERFORMANCE Tame
OPEN LETTER TO THE LORDS OF ELGALPONESPACIO
"Excerpts from Silvio de Gracia-Latin American Art and action: the body politic and strategies of resistance"
In 1981 at the First Latin American Symposium Objectual Non-Art, held at the Museum of Modern Art of Medellin, Colombia, Amaral Aracy Brazilian art critic, said the non-objectivity was gifted with a Latin American identity is not a subsidiary of the guidelines art international action. "It seems possible to affirm, he said then that distinguish actions that single out the non-objectivity in Latin America, for others made since the sixties in Europe and the United States, are placed on emerging, integrated creativity the wider political implications (...) In expressing the political intentions reveal themselves, committed himself here / now.
A light tour of Latin American art is enough action to confirm the words of Aracy Amaral. The political concern, understood as a commitment to the emerging problems of social reality, is the tendency more strongly marked action art practices in the Latin American scene.
Let's count some of these experiences, which we believe are setting a tradition, to which every person who comes to this activity should be aware of:
Tucuman Arde
Argentina
http://www.youtube.com/watch?v=v58jn5jnpJA
In Argentina, in 1968, produces one of the Latin American Action paradigmatic art, Tucuman Arde. Described as an aesthetic political action, was an attempt by a group of artists to install a circuit-information for reporting against the miserable conditions and over-exploitation to which they were subjected farm workers in the sugar mills in the region of Tucumán. Forced into this work, the artists get all kinds of testimonies recorded in interviews with different stakeholders, as well as photos, movies, documents, statistics and sociological surveys reporting on the plight of the province. All this material would be exposed in Rosario, Santa Fe province, and in Buenos Aires. In the latter case, exposure would be closed shortly after its opening to the pressures of military power. Among the group's slogans read: "Art is everything that moves and shakes. Art is what this way of life denies and says do something to change. "
Cildo Meireles
BRAZIL
http://www.youtube.com/watch?v=kO8IIALAZuA
their circuits Inserts ideological sabotage discursive texts by printing "politically incorrect" on bottles of Coca-Cola and its subsequent return to circulation to Readers unexpected finding.
Clemente Padin
URUGUAY
Padin work on a series of actions that will highlight its concern about the injustices of all types and their joint commitment to defending human rights. Widely linked to activism.
http://www.youtube.com/watch?v=tMAkf8ma-Xs
Siluetazo
Argentina
Mexico
http://www.youtube.com/watch?v=1N-Br5u6Lww
http://www.youtube.com/watch?v=A28SMecKpbo
This is the project entitled Silhouettes of the missing, more popularly known as the "Siluetazo." The action, carried out within the framework of the Third March of Resistance organized by the Mothers of Plaza de Mayo, in 1983, still under the de facto government, was a deep collective work of grassroots outreach. The proposal, drafted by Rodolfo Aguerrebarry artists, Julio Flores and Guillermo Kexel, was the production of 30,000 life-size human figures to be returned to the "visibility" of the disappeared by the military regime. Some silhouettes were made previously, but most of the protesters drew up for 24 hours led a political and aesthetic appropriation of the Plaza de Mayo of unprecedented nature, and would have continuity in other experiments focused on the development of silhouettes to claim by the appearance of the missing alive.
ALEJANDRO JODOROSWKI
http://www.youtube.com/watch?v=_63M19P6ffo
AND IS NOT IN VAIN REMEMBER THE ARTIST pioneering efforts, Chilean Jodoroswki, as we talk about the performace, which in your case and mine, is closely linked to the theater.
Jodorowsky founded, along with Fernando Arrabal and Roland Topor, the Ephemeral panic she described as the announcement of a spiritual birth. Posed Jodorowsky break with traditional narrative theater simultaneity as proposed temporary form of their actions, the panic was "time not as an orderly succession but as a whole in which things and events, past and present are in euphoric mix ". [2] During his stay in Mexico made ephemeral made 27 panics. In 1962, the Painting School held the first ephemeral, in 1963 at the Bahia Spa, Ocean Song presented, based on The Songs of Maldoror, Lautreamont, where amid dancers and mimes, "a helicopter shattered actors which were lower and fell in the pool, which was the stage. "In 1965, during the inauguration of Manuel iron Mural Felguérez, film Diana, Jodorowsky made a fleeting panic where Felguérez sculptures made in an enormous percussion instrument. "I made another, Jodorowsky says, in the School of Fine Arts, a tremendous where a bride bathed in a tub full of blood, and blood had octopus ...
Colombia
Art and Violence
http://www.youtube.com/watch?v=0WFA_e9lurA
http://www.youtube.com/watch?v=yxJSEAqEYhw
http://www.youtube.com/user/mariajosearjona?blend=1&ob=5
http://www.youtube.com/watch?v=RH9owH4ophI&feature=related
Matracas Group, Group A Clone, Raul Naranjo, Pool Arias, Maria Jose Arjona, Rosemberg Sandoval, Yury Forero, Leonardo Herrera, Guillermo House Collective, Fernando Pertuz, the French artist Pierre Pinocelli and Consuelo Pabon Colombian philosopher, worked deeply about their bodies, transforming them, wounding, maiming, and molding the flesh or the mind of those who saw and felt a whole set of performance that have attempted to witness to the barbarity that happened in their territory and in the world, many recorded in their actions massacres, others and others narrated lived ... All expressed the feelings of pain and limit which were happening internally and terror surrounding his war environment, from behind.
PERU
AND IN PERU, also have a tradition of performance with political overtones, as in the work of Eduardo Villanes, Gloria Evaporated work based on the video installation, display and performance presented by Eduardo villain in the School of Art at the National University San Marcos, and related to the delivery of the remains of missing college Cantuta relatives in Gloria evaporated milk cartons.
http://www.youtube.com/watch?v=sCNMUXKtOZo
Elena Tejada
Memory
http://www.youtube.com/watch?v=hsSQyz1vUMk
"Recuerdo". 1998.
Perfomance. Faculty of Arts at the Universidad Nacional Mayor de San Marcos, Lima, Peru.
The performance 'remember' was conducted during the Fujimori dictatorship. All state universities were employed by the military. Students and teachers whose names and characteristics mentioned in this action had been tortured and killed. I was inside a plastic bag. He sang a love song alternating with silence and the sound of a radio that I carried. Sometimes I stood still and at times I moved. Do this at a state university with the military in the vicinity. The audience was my only protection. "(Elena Tejada).
Just to mention that some of the experiences that are shaping the political tradition of performance, in which somehow the crazy drama AS Biotejido sign up, and gives particular form to the entire Latin American performace.
But we have seen disappointed as the space of art has become conservative, and as we have taken the performance in a rather serious, performances attending events such as backpackers, where performance into a contest, entertainment and the crtica and research were prohibited at the event, by the wave bar and revelry, a damage award for the perfromance stupid bastente more "anecdotal" and that the consicion politca of performance, it was far from realizarce power, we present the coke project in which we would make believe people take cocaine, coca-cola in, but in fact we were denied participation.
And then we saw the wave encounters performace gestures, Hector Acuna, where again no research, no politics, or anything, just the performace opportunistic pose for a career in Spanish cultrual Center, which incidentally was his Caserita.
And now you meet with your performance that borders on crap Experiences of the meat, where there is no research where policy muho least have to meet a few minustos format to present a performance wing, and do it in space CCE is that?, where you are not over pay nothing, and I give thanks that no, that is if you do resume ri cultrual center Spanish if they want to get paid, where cows are invited sacred theater as Miguel Rubio and Carlos cave to give workshops, people who have not yet come to make performace, but has tried to generate an intermediate language between performance and theater, with no major results, there is the hodgepodge of sintitulo of Yuyachkani, where caviar pamphlet left, kill the theater and aperformace without doing either, and the Hamlet of Charles Cave, where he achieved much more than in Yuyachkani, but remains in an area fornteriza without perfromace move to without risking really, but basking in the sophistication of their language and media.
What about you, because tame the performace, as hesitant to try to teach it, if they will invite their college professors do it on a horizontal level where we can question, and even where we can ask ourselves together, not to lecture, much less of a language that they do not know or are learning, much less to raise the performace politca intention, which would have a hard question timid as the bourgeois liberal and even leftist Carlos cave caviar Miguel Rubio.
I have seen his work, and I have presented in your space and enjoy intercourse Trasandina Andean (with theater denied me crazy) and I am grateful for the effort they make, but if you are going to be another more conservative spaces Lima's art, it's better performace do not, and if they can not theater, but Alonso joy lagoon should be doing work in which you can participate.
My order is ethical and ethics are based on knowledge, moral knowledge, and subjectivity, Goze and reward the action itself.
If you check this tradition, as they could look into the faces of these artists and say cheerfully performace you do, please!!
Let's review is performance:
Excerpts from Diana Taylor: Towards a Definition of Performance.
The performances function as vital acts of transfer, transmitting social knowledge, memory, and sense of identity through repeated actions, or what Richard Schechner has been called "twice-behaved behavior" (behavior performed twice). "Performance", on one level, is the subject of analysis of performance studies-including various practices and events such as dance, theater, ritual, political protests, funerals, etc., involving theatrical behavior, default, or relating to the category "event". To constitute analyzed these practices are generally defined and separated from others around them. Often this differentiation is part of the nature of the event-specific dance or a political protest have a beginning and an end, not occur continuously or associated with other forms of cultural expression. At this level, then, to say that something is a performance equivalent to an ontological statement.
On another level, "performance" is also a methodological lens allows scholars to analyze events as performance. The conduct of civil restraint, resistance, citizenship, gender, ethnicity, and sexual identity, for example, are tested and reproduced daily in the public sphere. Understanding this phenomenon as performance suggests that performance also works as an epistemology. As a practice in-corporations, together with other cultural discourses, performance provides a certain form of knowledge. The distinction is / as (performance) underlines the understanding of performance as a phenomenon both "real" and "built" as a series of practices that bring together what has historically been separate and discrete unit remained as speeches supposed ontological and epistemological independents.
The various uses of the word performance point to layers of referentiality, complex, seemingly contradictory and sometimes mutually sustained. Victor Turner bases his understanding of the term in French etymological root, parfournir, which means "complete" or "carry out completely." For Turner, as well as other anthropologists who wrote in the sixties and seventies, the performances revealed the deeper nature, genuine and individual culture. Guided by the belief in its universality and relative transparency, Turner suggested that people could get to understand each other through their performances. For others, performance means exactly the opposite: being built of performance indicates its artificiality, is "staging", the antithesis of the "real" and "true". While in some cases the artificial emphasis on the performance as "constructive" antitheatrical reveals a bias in the readings built complex is recognized as a partner of the "real". While a dance, a ritual, or a manifestation require a framework that differentiates it from other social practices in which they are inserted, this does not imply that these performances are not "real" or "true". On the contrary, the idea that true performance exudes more "real" than life itself comes from Aristotle to Shakespeare and Calderon de la Barca, from Artaud and Grotowski to the present. Business people use the term appears more than anyone, but usually to mean that a person, or more often a thing, it behaves according to its potential. Supervisors evaluate the efficiency of workers in their jobs, their "performance" as assessed cars, computers and markets, supposedly in order to outperform its rivals. The political consultants conclude that performance and style rather than as an action carried out or achievement usually determines political success. Science has also begun its exploration of human behavior and expressive culture repeated through the "memes": "Memes are stories, songs, habits, skills, inventions, and ways of doing things that other people copied by imitation (65) "-in short, those repetitive acts I have been calling as performance, though performance is not necessarily limited to mimetic behavior.
In this way one of the problems using performance, and false analogues, performative and performativity comes from the extraordinarily wide range of behaviors-from dance covers to conventional cultural behavior. However, this multiplicity of uses exposes the deep interconnections of all these systems of intelligibility between itself and productive frictions that exist between them. Just as the various uses of the term in various areas-academic, political, scientific, business, rarely engage each other directly, 'performance' has also had a history of intraductibilidad. Ironically, the concept itself has been subjected to disciplinary and geographical compartments which aims to challenge, and has been denied the universality and transparency that some claim that performance promises to their objects of analysis. These various points intraductibilidad are, clearly, making the term and practice field revealing theoretically and culturally inclusive.
Excerpts from "Around the studies of performance, showmanship and more. Antonio Prieto "
Performance is a sponge mutant and nomadic. It is a sponge because it absorbs everything in its path: linguistics, communication theory and behavior, anthropology, art, scenic studies, gender studies and postcolonial studies now. Mutant is due to its amazing ability to transform into a host of elusive meanings: part of the Latin per-formare (perform) for over the centuries to denote performance, show, performance, performance, musical performance and broad-ranging dance, drama, and so on. Even mutating gender to make a 'travesty' in countries like Spain and Argentina where it is known as performance. Our word is nomadic and that he has been traveling without a passport from one discipline to another and also from one country to another
From the 70s, the performance (such as art and social action) becomes an act conducive to the articulation of minority identities, dissidents, subaltern. Quote Latin American cases, advanced in Chile, the groups in Mexico. The performance is used in resistance to hegemonic power (whether state, patriarchal, institutional, etc.) Through strategies of parody, irony, carnival, transgression. On the other hand, articulates performance, create new spaces, new epistemologies of identity: Emergence of an 'oppositional consciousness' or argumentative, in terms of the Chicana writer Chela Sandoval. This trend is in spite of postmodernism (in its current non-political), or within the parameters of a junior postmodernism (the bell hooks). Hooks (1990: 27), for example, raises the 'politics of difference' and 'colalición policy' as the key to counteract the nihilism of postmodernism and neoliberalism economic globalization.
In the contemporary political arena, these performances are examples of the rising neo-Zapatista Marcos figure who uses deliberately theatrical. Greenpeace demonstrations, the protesters 'crucified' in front of the Angel or the offices of the Interior, the dramatic unfolding of machetes in San Salvador Atenco, all performative acts are designed to capture media attention and pressure the state. The performance art of artists / activists like Ema Villanueva controversially inroads in such demonstrations.
Excerpts from: The ontology of performance: representation without reproduction. Peggy Phelan
The ontology of performance: representation without reproduction
Peggy Phelan
Performance life is at present. The performance can not be stored, recorded, documented, or otherwise participate in the circulation of representations of representations: once it does, it becomes something other than performance.
At the point that performance attempts to enter the economy of reproduction it betrays and lessens the promise of its own ontology. Performance's being, as the ontology of subjectivity proposed here, is himself through his disappearance.
The pressures on the performance to succumb to the laws of the reproductive economy are enormous. Since only rarely in this culture is valued "now" to which the performance addresses its deepest questions. (This is the reason why "now" is complemented by documentation of the camera and the video file.) The performance takes place during a time that will not recur. It can be done again, but this repetition itself marks it as "different." The document of a performance is then only a trigger to the memory, a memory enhancement to become present.
Performance on a strict ontological sense is non-reproductive. It is this quality that makes Performance is the "younger brother" of contemporary art. The Performance disturbs the smooth machinery of reproductive representation necessary to the circulation of capital. Perhaps nowhere else, the affinity between the ideology of capitalism and art has become more evident than in the policy debates of the fund for the National Endowment for the Arts (NEA), the United States. Pointing to photography and performance art, conservative politicians sought to avoid supporting the bodies 'real' involved and made visible by these forms of art.
Towards a language of action. Clemente Padin
Towards a language of action
Clemente Padin
(Chapter V of the book "From al'Action Representation" (1973), Clemente Padin)
Before going forward would be good to clarify the nature of the sign language of the action as the outcome of themes and variations. On the one hand, significant level, the action operates on the reality and the other level of meaning, operates ideologically. Here is a clear and simple example: members of the Uruguayan government, between mid-September and early October, they traveled into the Republic to discuss national problems and possible solutions. Thus the sign-act operated at the level of action by the real and effective travel: members of government met in the Fortress of Santa Teresa and the Nirvana Hotel is located inside the country and, at the concept , aroused public opinion the following idea: the government will start to solve national problems. Another concrete example: In mid-October, the government had decided to demolish two old concrete structures built years ago to install a aerocarril to join the Playa Malvin to a nearby island, but impractical because of the project was never carried out. Thus the sign-act worked, significant level, with real and effective demolition of concrete structures and, at the level of meaning, the idea that the government demolirá all structures that do not serve the country.
These examples also serve to demonstrate the possible use of signs (no matter which language they belong) to hide the fact under a blanket of signs and representations. No matter what language, even the language of action, one can say what you want and the truth is imposed by the authority of the issuer as in the examples above or by other known devices. It is also true that no matter what language is used to express the truth when what is expressed is accommodated to reality. For some it means that a given system can express anything through language and through another to deny it. They are subtle mismatches between theory and practice of aesthetic movements, eg, or the conscious and calculated when it comes to political propaganda, eg
Then we followed the scheme should now detect the current or artistic activities that have features characteristic of decisive action and observe how, in the same way that arise and develop, are imposed traits that mark the passage of the art of representation of reality to the art of the signs used to represent. So it will be possible to see how, in the various currents of modern art, there are factors specific to the language of action, although some, which mark, in the not too distant future, the passage of the art of the signs of art to art that to the present was represented, ie, reality.
Do not overlook the fact that even a language of action will work, as a language, like all systems of representation of reality known and may be used according to the will of those who issued the sentence or discourse the action. The novelty of the language of action lies in the nature of the sign directly and immediately operated on reality and not only to mediate and indirect level of ideology and in other languages. Thus, in early 1971, I proposed, in a successive series of statements, which at the time considered to be understood as modern art and art called inobjetal in the sense of an art without the art object, an art without the work, with the intention of transferring the purpose of the object serving as a channel for aesthetic information for possible action that could trigger the consumer.
INOBJETAL 1
METAL FINGER or whatever ...
And feel the emptiness and frustration that awaits behind the blade. It operates differently art provides a substitute for reality so that you can escape it. Art is what you will do in direct relation to his surroundings and not in relation to a representative of that reality.
This proposal was intended to expose and relieve the symbolic nature of art, in the sense that in all cases, these sublimations or ways to escape from the tensions or unrealized wishes of those who believe, in any case Massage a sort of spirit or weekend rest. Also note that the artist works with systems of representation of reality (language), especially on those languages and not directly on what they represent.
This approach recognizes very direct and close history: the intense criticism of the systems of representation made by the group of artists gathered in the French magazines and Agentzia approches. Meta-Art movement promoted by the magazine Coupez Ne Pas de Jean-Claude Moineau, the movement Poetry colon and Vivlalib magazine group with Julien Blaine, Daniel Daligand, J. P. Page, Alain Roussel and others, the obstruction of official communication channels by a group of Argentine artists grouped in Tucumán Arde experience and others carried out by the aforementioned group Vivlalib and artists like the Italian Sarenco, efforts to modify radically aesthetic communication channels by artists like Franco Vaccari, Jochen Gerz, Jean-Francois Bory, Alain Schifres, Adriano Spatola, Guillermo Deisler, Alain Arias-Misson, etc.. Attempts to disrupt the coding mechanisms and to discover the nature of the artwork in particular processes Wlademir Dias-Pino and artists gathered in the magazine Diagonal Zero directed by Edgardo Antonio Vigo and others have made it possible for my proposal.
After mid-Mayo/71 sent another statement Inobjetal 2. It was a printed sheet, folded into quarters and stapled to another saying banned in several languages. The text inside is the next and the only comment is made.
INOBJETAL 2
"If you read this note, he understood: he has done an act to act on an object whose only purpose was to trigger a synapse thought / action, that you properly resolved the alleged contradiction thought / action or conception-the-act / run-of-act despite a ban from doing, that the act done fruit releases tension of contradiction and that this resolution is nice, that, despite the alienating pressure of the system that imposes the separation between thought / action, you . can propose and perform other acts that violate the system the same way that the order did not address "forbidden" INOBJETAL ART proposes that just that: to act on reality and not a substitute for that reality as are the known artistic languages, and that you, not comply with the ban proved to be a personality-dependent and that everything depends on you and then everything is possible ... " May, 1971
Later, in June 1971, I sent Inobjetal 3 with practically all the theoretical formulation of my proposal:
INOBJETAL 3
Posts to search for an artist capable of overcoming the vices and faults of the art today visible and facing the fact that together, the more or less rational standards that each edge is set for its business suffer from the same defect is that constitute a system of representative of reality in order to avoid it, we have wanted to establish another to avoid misunderstanding. And really, there is another more coherent and representative than any of the contemporary art that boasts: the art without objects, without the work, art inobjetal.
The object created in this aesthetic function, opposes the indissoluble unity of art / life, stands as a wall between man and his environment and prevents a proper relationship: if you love to love and express it symbolically, using a many or all representative systems available. Removing the object of art, the art is carried to the point which should never have left the unit, the synapse thought / action. Art inobjetal leaving aside the work eliminates the other consequences: the use of representative systems easily deformed by the "status" on their behalf or at best, for the benefit of the author himself eager to exercise the authority their personal standards, and also eliminate the use of the work of art with all that means for the manipulation of consciousness, of commercial activity, exhibitionism amoral class privileges.
The only stages that remain in the art will inobjetal or project conception and implementation mechanism and all that is present as a result of the implementation and operation of the mechanism will not be inobjetal, ie, non-work or the work that "says it is not" be still, object-works.
Art inobjetal be rich or poor according to the degree of fit or mismatch between the artist and his environment and his behavior will be adequate if it intervenes on the environment by transforming it, in the same way that it becomes the medium itself and models. Will be poor if the relationship is passive if its truth value is false, if it tolerates environmental pressures without acting. It will be "good" if he acts and modifies the relation of forces that seethe inside every living thing around us the benefit of meeting the needs of men moving with us. Yet is not life, but that's what most similar: to destroy the habits of regressive behavior, indifferent and passive, collect the parts separating system (thought / action) to be preserved. Both of stage design and authorizes an individual and collective. Simply carrying out a simple immediate thought, p. e., crawl under the chair, a table change of place, phone a friend, etc.., but also enough to know the degree of alteration in the environment obtained by the act done to determine if a relationship is established appropriate and fruitful. The very consistency and artistic integrity will lead us to desire and pursue radical changes in the middle, which will depend on the authenticity of our relationship with the environment.
Dear friend: INOBJETAL invited to transmit their experience in this regard, not to build an object or pleasure reading but to create a body of information that can be transmitted only enrich other acts designed and manufactured. "June, 1971
Finally on August 71, I sent the last of the series:
INOBJETAL 4
"Between them there is an abyss. A difference not in quantity but in quality, the testimony of a leap, not a step. Transporting art to the intermediate zone between the two moments, the action qualitatively change the" status " Art is the intention INOBJETAL.
The work of art (after) is also a product different from the initial element (before) but does not change the "status" but develops it, because it is the "security zone" system. Art should get out of art, must be subtracted from the systems of representation of reality to become the reality itself, not carrying his vices (the work itself and for itself, building, consumerism, conceptual reflection on itself the symbolic representation of a movement of the spirit), but transferring your capacity for action, standards of conduct against the active medium, its inexhaustible imagination, never denied his purposes to improve the lives of men. "August, 1971
The sense of collaboration of artists was immediate and, so, I received the following works more or less embedded in the artistic sense he proposed.
Klaus Grohe
RICHARD MELTZER
PAUL WOODROW
PETE STEMBERA
CLIVE ROBERTSON
DET DAVI HOMPSON
When I realized the nature of the sign language of action, I stopped my research because of the apparent contradiction and impossible not to see: the information is in need of an object to be transmitted, and is a leaf or a disk, an environment or a action. The purported distinction between object in and of itself, an object that appeared to overcome the contradiction did not work because the connotations depend on the interpretant: a shoe wedged serves both to drive a nail into the wall as a function that you want to give and if Above all, are often used to put on it because its defining feature is that imposed by the use and the convention, ie an object to protect the foot. However, experience does not stop INOBJETAL be helpful if only for having allowed the birth of other positions more consistent and adequate to reality.
Thus we returned to our starting point: we are aware of the existence of nebulous language of action (that Latinos already recognized: res non verba) and we detected the nature of your sign (aesthetic information that the artist transmits enriches the repertoire of receptor enabling higher levels of understanding of reality and as a result, the chances of operating on reality, but not the work he alters reality but who eats it instead with the language of action, the artist uses not only the usual mechanism of information processing traditional aesthetic standards act as an ideological level, but also his work can operate directly on reality!). Know the rest: how a sentence can be articulated through the language of action? What are the significant or meaningful units? Is there a dictionary or code acts? Is it possible to overcome the level of expression and access referential aesthetic expression levels using a language of action? The story, is it a long speech of the transforming action of man over the world? and to what extent, each of us is part of that speech, that is, how we fit into the story? And, to what extent, we transform the world with our actions?
Clemente Padin
1973, Montevideo, Uruguay
The book "From al'Action Representation" (1973), Clemente Padin. First published in French in 1975 by the Editorial DOC (K) S, Marseille, France by the poet and editor Julien Blaine. Today, 2003, the Franco-Argentina XUL Editorial: MOBIL-HOME: MANGROVE is planning in 2004, a critical edition - bilingual (French and Spanish) of this book by the editor and literary critic Florent Flajole in Buenos Aires, Argentina .
This book shows Clemente Padin proposal towards a Inobjetal Poetry is worth only the language of action in the context of radical artistic experiences that occurred in the late 60s.
Text taken from:
http://boek861.com/padin3/lenguaje.htm
If you can read this text you will realize the great problem that the language of action, the language of the performace us is that by acting in direct life, breaks with the whole scheme of representational art, breaking every loophole of escape because they act in the same reality, rather than a poetic difil generate this kind of language that acts on reality.
This has always been one of our great cuestionameintos in biotejido as crazy theater, which we have taken some steps in our work to solve it, but where?, Where we could talk about this in his festival performance at the CDC? Please!!
No tame the performace, not tamed, if they come from the theater to performance, to stay in a comfort zone between the two arts, trying to fill those empty theoretical, political and aesthetic with a filling media, for more to put videos, more than the direct Miguel Rubio is not performnce, we must act on reality, do something on which to act in the CCE, as on a platform simplemnte Show, killing all traces of performance, and believing that in a certain theatricality is the performace, as mnetira, or any of you dare to question or alter the system of CCE, of course not, they are spectacularized, domesticating, emptying of intent politca performace, as have many simpre, but Hence this action art, and that we who believe in, to defend, merchants of culture as you.
Just today I will declare war to subvert their space, at least believe it, and if they do not care but its festivalito, broke gozazamente in, which I think is the only performer worthy of a space as open as you seek experiences of the flesh, it will give them flesh!
And I invite all you to go and performer performitas really, beyond programming, speaking, and showing that it is the performance and value and the meat you need to do, which unfortunately you do not have.
Theatre Biotejido crazy A.Ş
Christian Franco
PUBLISHED BY CHRISTIAN FRANCO IN 14:02
6 Comments:
Anonymous said ...
and you have to see your text with the photo you post on the entrance of the post? These perforated hmmm ?????
SEPTEMBER 23, 2011 18:59
Anonymous said ...
jajajaj and causita eg, there is no truth and no one owns anything ... there is enough air space for everyone in this world ....
Claudio loves you
SEPTEMBER 23, 2011 19:13
Anonymous said ...
HA HA HA ... You the "forbidden to forbid" speaking of "tradition" JA JA JA
And you were because your discursete is no more or less exactly like that of Alonso Alegría ....
SEPTEMBER 29, 2011 21:03
Christian Franco said ...
Of course we are PERFORMER
THANKS FOR THE LOVE CLAUDIO
MORE IS NOT THAT AIR FOR ALL THAT IS USING AIR TO PRODUCE FIRE.
THIS IS OUR SPACE THE ALTERATION OF THE OTHER HAND, IF YOU WANT TO BE ON THE MARKET AREA WHERE THERE ROOM FOR ALL TASTES AND COLOURS AS, GOOD, THE SPACE IS OUR SUBVERSION WHERE ARE WE KNOW THAT CERTAIN AREAS BY A SYSTEM WITH CODE BELIEFS AND RULES FOR THE POWER ADOC, WHICH IS TODAY AND LEFT LIBERAL SYSTEM CAVIAR IS REPRESENTING THE SHED.
IF NECESSARY AND GOOD TALK OF TRADITION, SO WHAT A DIFFERENCE WE ALONSO WITH TRADICONES dialectical relationship that we have chosen FAITH IN CHRISTIANITY, COMMUNISM IN POLITICS IN THE PERFORMANCE ART, THAT THE POLICY, THE SACRED THAT PUTS YOU IN THE LINE OF FIRE, THE SYMBOLIC SUBVERSION IS
OCTOBER 10, 2011 15:43
Anonymous said ...
Very interesting, and for years I wondered where are the young lions? Michi pure bourgeois home and pure dove gray or "white" ... worse because those are gross recontra obedient to the time for the train. Do not know, but you gave on the problem: the institutionalization of art, first telephone, the cc of Spain and now the local government, modeled on European Fabian, I'm not saying all those who have killed the art, have done worse: have revived and is now a living dead, which rots and corrupts everything it touches. if not look at all that crowd of zombies crawling through a grant. In the 80s complete with terrorism crisis and had a living art, fucked, without resources or techniques, but there were god or the devil knows how. I, for example if there was underground rock, I swear I would have finished in light path or worse. I think the kids today and the great damage they are doing these so-called "cultural promoters" and NGOs which focus the content that redirect forces and gradually have become the new censor worse than the worst fascist state worse than the worst nightmare of huxler because this new bureaucracy is the ultimate form of self-censorship, the whorl, the arrangement of matalascallando, etc. as known to all things but I now see that even socially legitimate and socially subversive take the flags , but until just there, and let us take the picture, because these new cutting-edge at any point in his madness forget who funds them. And the result is what we have, look at the Peruvian art of this decade, a sad thing, so we have to call art Huaquan Peruvian cuisine or just to make our traditions Cv or have an internship or a bekita, that's all in the head with our young artists. But I found the answer, the ultimate weapon with which to crush the pigs and is called: ANONYMOUS. just spread the word.
OCTOBER 22, 2011 13:04
Christian Franco said ...
Lucido, totally lucid, I share.
but my weapon is called anonymous
My weapon is called symbolic subversion
and make the llamda to Imaginary War.
OCTOBER 24, 2011 4:29
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CHRISTIAN FRANCO
AS crazy Biotejido Theatre is a thought-action, which aims to INTEGRATION OF BEING IN THE FABRIC OF LIFE THAT WE ARE ALL INVOLVED, unveiled the BE AND NOT IN POWER SYSTEMS This system call write us alteration : teatroloc@yahoo.com and participates in symbolic subversion Imaginario.Imagina War mundo.www.comerelcomer.blogspot.comAqui find new formats appropriate texts and inserted into the imaginary. Here http://www.exaltacionalmiedo.blogspot.com/ narrates the process of opening the political system altercion to defeat terror. http://teatroloco.blogspot.com/Aqui published reports of activities realizarhttp: / / teatrolocoteorico.blogspot.com / Here the theoretical foundations of our processes here http://apologiaalatristezateatroloco.blogspot.com/ opening the project mediosdecomunicaciónhttp Alteration: / / Here www.adagioalamor.blogspot.com/ opening the draft alteration of religious systems with our proposal theological. Haste fan of us on your facebook subscribe to our channel enyoutube "alteraciondesistemas" follow us on twitter
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Men of valor generation powerful man of God you will be in your signs and wonders.
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COMMENTS
Art Circuit Bullshit!
2 hours ago · Like
THEATRE BIOTEJIDO CRAZY BUT FUN A.Ş
37 minutes ago · Like
• Piero Fernandez Trujillo
A war against God ?,,,,, then you're in line at the Angel of Death ,,,,, God exists, I do not believe in the church and holy images but if a superior being to us,,, , believe in life, animals, the harmony of the universe I think that by chance,,,, do not believe a man who died for you humiliated on a cross just to convey a message of fighting REVOLUTION interests of those who had more and being next to the most humble people, teaching love even our enemies love ,,,,,, IF ONLY THE WORLD TAKE THAT MESSAGE not write ,,,,, now you're at war against Jesus Christ, , but against those who oppress you and your selfishness would show beyond YOURSELF,,,,
Yesterday at 11:01 • • I do not like 1 person
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Jacmy Juliet • 10 mutual friends
The war should be given against religion and against those who are entrenched in them .. but not against God the religions I do not think these were created by the same man to dominate the minds of the weak .. There is a higher being that nobody can deny, but then to be part of religion is a big gap ... fanaticism can not be confused with beliefs
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Canto Jehssely Torres (= ok
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Jesus Rodriguez Alegria Argomedo
terminra could not read is very long and I have little sense, as I liked what I read. Too bad I can not be or diacritic, or revolutionary. because I like money, wine and love.
Like · · View · The Friendship Wednesday at 19:03
Christian Rodriguez Franco TAMBEIN LIKE MY ALL THIS, THE THING IS NOT SLAVE OF THAT, SO DO NOT have no justification for being revolutionary, I'LL JUST DESTROY
2 minutes ago · Like
Hope you're well brother ... Today will be a vigil in a church, and pray among other
People also your father ... I like the picture you choose is that of a Christ
already risen, which has already reached nothing like a Pachacamilla Christ with its sole
discomfort shakes the earth, the Lord of hosts is with us, are humble
and poor as it should be, but are being integrated into kai, a magma coalesces
leonido resurgent, marsh, halconcillo, Robin ...
Hug your old father, very strong, but do not want, remind your child, you know your father now,
mine suffered the same fate 21 years ago, and I learned not to die
by cowards, live like the Christ of the draw, the other plane, the brother, father ...
when we're back and regroup and fight to be fought, but true.
Do not mess in the first Transa, that is my condition, no shouting and discord egocentric.
CHRISTIAN MEMORY ... COMMUNION ... BEditing .... FOR OUR CHILDREN AND MOTHERS AND FATHERS ARE WRONG BUT
I have to work on spoiled by their parents, and also we are ...
WE MEET AND SHARE KNOWLEDGE AND EXPERIENCES, SECRETS ...
I am now more than ever with the Triune God, I feel your song on me, my son, he is
Cusco now but is ubiquitous and is also with me in the heart and spirit, but physically he meets his mother misleading, trying to escape - she of course-all the evil that has generated with his belly pagan ...
I have spoken Sure, I'M NOT GOING TO DIE, MY SON IS NOT GOING TO DIE, YOU DIE AND WAIVER OF ADVERSARY,
Only then can SEE ME THE ARCHANGEL OF THE PEACE THAT DEFENDS even ...
HOW WILL ATTACK WHEN REALLY ...
I NEED YOUR MADNESS UNITED CHRISTIAN BROTHER TO MY SANITY ...
NO ulterior motives and if so, EASY, DILA, talk, IF I can not speak and has to use
Lifeguard A BOTTLE OF CONCORDIA, take it well, then, ERGO, AND I AM AWARE
BODY IN MIND: me out of BOMBOYA HELL, THE ANGELS OF YAVHÉ and the fight continues ...
END
RE-APPEARS ONLY WHEN BACK TO CHRIST ... MISSING ME SO LITTLE AND IT PRODUCES A HUGE CHEER
CHRISTIAN: MISSING SO LITTLE! The day will come ... PONTE BODY!
COMMON ENEMY WE HAVE MANY, NOT fight each other ... EGG Trasandino LET YOURSELF AND BE BROTHERS TO FIGHT TO DEATH BY PERU!
http://www.youtube.com/watch?v=fPingBlzOYo
THE ONLY TRUE GOD-CHRIST YAVHÉ Holy Spirit be with UDS
-------------------------------------------------- ---
DAVID CHRISTIAN FRANCO DELGADO
THE PROPHET IN THE TREE OF LIFE SAYS AMEN
Christian: ayer te escribí y por error respondí a todos, quería que fuera una respuesta privada sin embargo, lo del primer
comentario vaya y pase pero este segundo no me parece... a ver si lo quitas, es algo entre nos.
Fuerza, sigo orando por tu padre, y espero que puedas ser maduro, a ver si volvemos a performar.
Bendiciones.
AUN NO LO ENTIENDES NO GUSTAVO, TE HE DECLARADO LA GUERRA, LLEVAME ALOS TRIBUNALES, ENCIERRAME EN LA CARCEL, EJERCE POR FIN TU PROFESION DE ABOGADO, Y AUN ASI NO CONSEGUIRAS QUE QUITE PALABRAS TAN VALIOSAS DE MI TEXTO, COMPREDENLO ESTOY EN GUERRA, Y DE MANERA ESPECIAL CONTRA TI.
Espero que escuchen mi llamado de ayuda,necesito unirme a una hermandad. Para que me enseñe y ayude a saber como manejarme en este mundo del Rey de las tinieblas. Por amor a cada uno q lea mi mensaje y este cerca de Buenos Aires, este es mi grito de sed de aprender mas. salve Satan.
PAULA MEZA ARGENTINA-marianitoserrano@hotmail.com
muy bueno mis saludos para todos los que comparten esa irreverencia y tambien para quienes no la comparten
franz
pds saludos para mi amigo teatro loco
CARTA AL HIJO PRÓDIGO.
El día que me enseñes que hay una puta, que te lame el cuerpo, ese día te diré que has encontrado, no una puta, si no una amante al que mantienes económicamente. De que clase crees que son las putas, crees que no tienen estómago. Tú crees que parte de su oficio es lamerte o simplemente tocarte. Lo que está en venta es sólo su coño, y no las demás parte de su cuerpo, al menos que pagues mucho más por ello, el cual sería una puta de alto vuelo, que tiene mucha más cosas y dinero que tu, y por tal sólo soltaría a los demás desdichados el 2% de lo que le sobra. También está el caso de las putas drogadas, esas por lo general son jóvenes raptadas, drogadas y puestas a la venta, ellas si te pueden lamer, pero esas no son putas, son muñecas de hueso y muy poco de carne. Ah, Los travestis, esos si te puede lamer un pezón, y si lo hacen al igual que algunos putos, lo hacen por algo de placer extra a su trabajo.
¿TU crees que las putas no te desprecian? huérfano de padre por abandono de hogar. Que alucinada es esta hijo Pródigo cuando seguirás viéndonos como culpables, al igual que un niño. Crece hijo pródigo, crece. que no es necesario destruirlo todo para hacer el amor, en primer lugar porque el amor no se hace, al igual que un cuadro, una mesa, una cruz. NO, el amor hace que las cosas nazcan. Es una energía si quieres llamarlo así, que ya está, no tienes porque hacerlo, sólo déjalo ser, y moverá tanto tu vida que parecerá caos y destrucción pero no es ni caos ni destrucción; que moverá verdades con tanta plenitud, que pareciera que te insultaran o agreden, pero no es así. Es más parecerá que estas luchando y todos son tus rivales, pero sólo estarás sintiendo quebrar tus prejuicios y males.
Hijo prodigo la rabia es aquel miedo oculto que nos produce indignación haciendo que separemos las cosas, la sociedad, la humanidad.
NO dejes la casa de tu padre, si quieres ve a vivir en otros lugares, pero no dejes la casa, tampoco a las putas y los huérfanos de tu corazón.
Robert Julca Motta.
Un gran regalo para Miguel... más sí me sorprendió su falta de cortesía al no querer recibir los regalitos...
Oscar Felipe
Muy interezante, es la complemetariedad de la vida que necesitamos conocer para poderla vivir como se debe.
Emilio melgar.
________________________________________
Date: Mon, 31 Oct 2011 23:01:42 -0400
Subject: Re: ¿QUE PASO CON EL HIJO PRODIGO DES PUES DE SU RETORNO AL PADRE?
From: nedsawyer@gmail.com
To: teatrolocas@hotmail.com
christian!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
NO QUIERO VOLVER A RECIBIR TUS OBRAS, GRACIAS NO LAS ENTIENDO Y ME FASTIDIA TU LENGUAJE. TU VIDA ES TU VIDA TU ARTE ES TU ARTE YO NO QUIERO SABER MAS DE ESO. HAS LO QUE QUIERAS COMO SIEMPRE LO HAS HECHO TU VIDA DARA EL FRUTO QUE VIENES SEMBRANDO.
ADIOS,
NEDHY
Es como si me dijeras que no quieres saber nada mas con mi corazon, pero te respetare con el dolor de mi alma te respetare, y yo te seguire escuchando, siempre tia, siempre, y orando por ti, Dios te Bendiga. me duelen tus palabras.
Me duele tu manera de hablar, no lo comparto.
No se como en un corazon que brota agua de manantial puede brotas sapos y culebras a la vez.
Lo siento. Creo que DIOS tiene una gran paciencia contigo.
Acepta sus mandatos de hablar con claridad, honestidad y en forma agradable a EL sin grocerias. Las
grocerias pertenencen al enemigo. YA COMPARTI CONTIGO DOS WEBSITES que si quieres te ayudaran a conocer a DIOS.
Te dejo en las manos de DIOS me canse de tratar de hacerte entender que significa ser un hijo de DIOS.
Que DIOS se encarge de ti y tu familia.
bye
Christian
Nota: Ya no quiero conversar de tu arte - es horrible!!!!!! me hace pensar en el diablo!! cuando he visto varias de tus obras. Seguire orando por Walluska y Kay que la GRACIA DE DIOS SEA CON ESOS DOS NINOS.
bye
There is no better way to fight God, taking their communion bread l eucharist, then fighting is as if he himself fought against it.
Y aun mejor despues de haberte comido a JesuCristo en la hostia, invoca al Espíritu Santo, para que te conviertas tú en una hostia Ardiente, Al Padre solo le gusta, lo caliente o lo frio, lo tibio lo vomitara, cuantas veces Dios mio me has vomitado, cuantas veces, esta ves no podras, te incendiare por dentro hasta el ultimo de tus hijos.
DIOS ME GANO LA GUERRA DEL IMAGINARIO
SALMO 101
QUIERO CANTAR LO QUE ES BUENO Y JUSTO;PARA TI, SEÑOR SERA MI SALMO.
ME ENTRENARA EN EL CAMINO PERFECTO, PERO TÚ¿VENDRAS A MI?
NO TENDRE MAS QUE RECTAS INTENCIONES PARA ACTUAR EN MI CASA.
NADA TENDRE EN VISTA QUE PUEDA SER MALVADO.
ODIO EL PROCEDER DE LOS EXTRAVIADOS, NO PERMITIRE QUE SE ME PEGUE.
LEJOS DE MI EL CORAZON PERVERSO,DESCONOZCO AL MALVADO.
AL QUE DENIGRA EN SECRETO A SU PROJIMO YO LO HARE CALLAR ;
AL DE OJOS ALTANEROS Y DE CORAZON ENGREIDO NO LO SOPORTORÉ.
BUSCARE A LOS LEALES DEL PAIS PARA QUE VIVAN CONMIGO;AL QUE SIGUE EL CAMINO
PERFECTO LO PONDRE A MI SERVICIO(Y YO ESTARE AL SUYO).NO MORARÁ EN MI CASA
EL QUE TRAMA EL ENGAÑO ;EL QUE ANDA CON MENTIRAS NO COMPAREZCA EN MI PRESENCIA.
CADA MAÑANA ACABARÉ CON TODOS LOS MALVADOS DEL PAÍS, PARA SUPRIMIR DE LA CIUDAD
DEL SEÑOR A TODOS LOS QUE HACEN EL MAL.
EMILIO-CHRIstian dime no has pensado en tener un celular, te he buscado por todo el campo de marte, y no te he visto por ninguna parte estoy aqui desde las 11:30 AM, he venido desde ica, ya me estaba llendo si no te veo poniendote tu traje no te encuentro, llame a Teresa me dijo que por aca estabas, pero por un pelo y no te encuentro.
- Bueno tienes que aprehender a mirar, aunque aun mirando si Dios no queria que me encuentre no me hubieras encontrado, demos gracias que Dios haya permitido nuestro encuentro. Antes de que tu vinieras Dios vino por medio de ese señor que ves alla.
Emilio-¿?
-¿Ves? el es felipe y el me estuvo hablando de Dios, antes de que llegaras. Sabes que yo le declare la guerra a Dios, pues el ya me la gano, junto a Felipe hice esta oración:SEÑOR JESUCRISTO RECONOZCO que soy un pecador, te ruego que perdones todos mis pecados. En este día creo en ti y te recibo en mi corazón como mi señor y salvador para siempre. te agradezco que hayas muerto por mi , en la cruz del calvario.
DIOS SANTO PADRE ETERNO, PADRE CELESTIAL TE RUEGO POR CADA UNA DE LAS PERSONAS, QUE PASARON POR TEATRO LOCO, TE RUEGO POR QUE TU DE ALGUNA FORMA NOS VUELVAS A REUNIR EN TI.
TU ERES EL SER, EL AMOR Y LA VIDA.
POR LA DOLOROSA PASION DE TU HIJO JESUCRISTO TEN MISERICORDIA DE NOSOTROS Y DEL MUNDO ENTERO
PADRE NUESTRO QUE ESTAS EN EL CIELO,
SANTIFICA TU NOMBRE EN NOSTROS: EN NUESTRO ACTUAR, EN NUESTRAS VIDAS
VENGA A NOSTROS TU REINO: QUE EL ESPÍRITU SANTO REINE EN NOSTROS, VENCCIENDO EN LA GUERRA DEL IMAGINARIO, SATIFICANDONOS, HACIENDONOS SERES HUMANOS, MANIFESTANDO A JESUS EN NUESTRAS VIDAS
HAGASE TU VOLUNTAD EN LA TIERRA COMO EN EL CIELO: VIVIENDO EN AMOR, PAZ Y ARMONIA. CON ESPÍRITU Y VERDAD
DANOS HOY NUESTRO PAN DE CADA DIA: TANTO EL MATERIAL COMO EL ESPÍRITUAL, TU CUERPO EN LA HOSTIA Y TU PALABRA, DANOS LABONDAD DE COMPARTIR NUESTRO PAN COMOTU LO HICISTE.
PERDONA NUESTRAS OFENSAS, COMO TAMBIEN NOSTROS PERDONAMOS A LOS QUE NOS OFENDEN: NUESTRAS OFENSAS DE OMISION, DE HECHO, DE PENSAMIENTO, DE PALABRA, Y AYUDANOS A PERDONAR 70 VECES 7, A PERDONAR DE VERDAD, AYUDANOS EN NUESTRO MINISTERIO DE RECONCILIACION, Y AYUDANOS A QUE NOS PERDONEN, AYUDANOS A REPARAR EL DAÑO QUE HAYAMOS CAUSADO.Y HACER UN BIEN MAYOR AL DAÑO QUE HAYAMOS INFRINGIDO.
NO NOS DEJES CAER EN TENTACION
LIBRANOS DEL MAL: LIBRANOS DE TODO PALN DEL MALIGNO, DANOZUN CORAZON PURO, DE NIÑOS, Y BENDICE A TODOS LOS NIÑOS CON LOS QUE COMPARTIMOS NUESTRO ARTE.
PADRE AYUDANOS A RECONOCERTE EN EL HAMBRIENTO, EN EL MARGINADO, EN EL ORPIMIDO, EN EL POBRE, EN EL NECESITADO.
Y DARTE AGUA CUANDO TENGAS SED, DARTE COMIDA CUANDO TENGAS HAMBRE, VISITARTE CUANDO ESTES EN LA CARCEL, SER TU PAÑO DE LAGRIMAS CUANDO LLORES, ESCUCHARTE CUANDO QUIERAS HABLAR, CUIDARTE CUANDO ESTES ENFERMO, Y ESTAR, SIMPLEMENTE ESTAR CUANDO SUFRAS AL PIE DE TU CRUZ.
MADRE SANTA, VIRGEN MARIA RUEGA POR NOSTROS LOS PECADORES
A TI CLAMAMOS LOS DESTERRADOS HIJOS DE EVA
A TI TE SUPLICAMOS DESDE ESTE VALLE DE LAGRIMAS
ORO EN ESPECIAL POR MI AMOR TERESA DE JESUS POR MI FAMILIA KIE , WAYLLUSQA, MIS HIJOS AMADOS PARA QUE TU LOS BENDIGAS LOS PROTEJES Y LOS LLENES DETU SER.
ORO POR MI HERMANO ROBERT JULCA, PARA QUE LE DES EL VALOR DE AMARTE, CON TODA LA INTENSIDAD DE SU ALMA.
ORO POR MARJORIE FREIERE, POR SU FAMILIA PARA QUE LA BENDIGAS, Y LA LLENES DE FELICIDAD
ORO POR KHORIY SU FAMILIA EN ESPECIAL POR ADRIANO, TU LE DAS LA FE DIA A DIA PARA SALIR ADELANTE.
ORO POR TERESA BERNEDO, PARA QUE LE DEZ LA PAZ Y LA CONFIANZA LA FUERZA PARA QUE TE SIGA BUSCANDO Y NO SE DESANIME, SANA TU TODAS LAS HERIDAS DE SU CORAZON.
ORO POR MARCO ARAUCO, PARA QUE TE CONOZCA Y PUEDA RECONCILIARSE CONTIGO, Y SEGUIR DANDO SU AMOR Y SU AMISTAD A LAS PERSONAS QUE LO RODEAN EN ESPECIAL A SU HIJO.
ORO POR CARLOS PULIDO, PARA QUE TU LO REALICES, Y LO BENDIGAS GRANDEMENTE.
ORO POR JULIA ORTIZ, PARA QUE SIGA SIENDO NUESTRA GRAN AMIGA Y ANGEL, TU DALE TODO EL AMOR PARA CON SU MADRE, Y LA FE, PARA QUE ENTREGUE SU AMOR SIN MIEDOS SINO CON CONFIANZA Y ALEGRIA.
ORO POR LILI GARAYAR, PARA QUE TU LA SALVES DE TODO MAL, Y LA ACERQUES A TU CORAZON.
ORO POR AXEL ZAPATA, DONDE QUIERAS QUE ESTE, QUE NO PIERDA SU SONRISA Y SU AMOR POR LA VIDA, MANIFIESTATE EN EL SEÑOR.
ORO POR JUAN CARLOS URETA, PARA QUE TE CONOZCA.
ORO POR JUAN CARLOS ZEVALLOS, PARA QUE ME PERDONE, Y PODAMOS VOLVER A SER AMIGOS DE VERDAD.
ORO POR JUAN CARLO CASTILLO, PARA QUE TU TE REVELES, Y LE MUESTRES COMO LO HAS CUIDADO.
ORO POR PATI SIERRA, TU DALE LA PAZ.
ORO POR BACHI, DANDOTE GRACIAS POR SU ALMA, DIOS MIO TU PURIFICALO.
ORO POR LALO QUIROZ, ACOMPAÑALO, PROTEJELO SEÑOR.
ORO POR JULIA SALINAS, DALE TODO EL AMOR QUE ELLA SE MERECE SEÑOR, QUE VENZA TODOS SUS MIEDOS.
ORO POR RICARDO, DALE EL VALOR DE SEGUIRTE Y LA GRACIA DEL PERDON
ORO POR NANCY VISA PARA QUE TOMES SU ALMA SEÑOR.
ORO POR YURI, POR SU FAMILIA, POR SU HUJA AKELA, LLENALOS DE AMOR Y SABIDURIA.
ORO POR DIANA COLLAZOS, TU LA OPORTUNIDAD DE RECONCILIARNOS.
ORO POR JORGE ALVAREZ POR SU FAMILIA, PADRE AYUDALO TE LO RUEGO!!!!
ORO POR NADIA ALVAREZ DIOS MIO GUIALA HACIA TI.
ORO POR PAMELA LLOCLLA BENDICELA SEÑOR.
ORO POR VICTOR CARPIO TOMA TU SU CORAZÓN
ORO POR MARIO RENGIFO, SALVALO SEÑOR.
ORO POR MI GRAN AMIGO MIGUEL BLASICA, PARA QUE DE UNA VEZ SE RINDA A TUS PIES.
ORO POR ELIZABETH NEIRA, LLENALA DE GRACIA AYUDALA EN TODO, SANA SUS HERIDAS, ABRAZALA SEÑOR.
ORO POR GUSTAVO REATEGUI DIOS SANTO LIBRALO DE TODO MAL.
ORO POR FERNANDO CASAMAR, TU SE SU LUZ SEÑOR.
ORO POR CLAUDIA CRUZ, ACOMPAÑALA SIEMPRE SEÑOR.
ORO POR LUCIA, DIOS MIO TOCA SU CORAZON.
ORO POR GUSTAVO CASTRO ENSEÑALE TUS CAMINOS SEÑOR.
ORO POR EDSON, HERMANO AMADO.
ORO POR EMILIO, REINA TU SEÑOR.
EN EL NOMBRE DEL PADRE DEL HIJO Y DEL ESPÍRITU SANTO.
POR LA DOLOROSA PASION DE TU HIJO AMADO
EN LA COMUNION DE TODOS LOS SANTOS
EN EL NOMBRE DE CRISTO JESUS NUESTRO SEÑOR Y SALVADOR
AMEN.
¡Oh Jesús!, comprendo que tu misericordia va más allá de la imaginación y por tanto te suplico que hagas mi corazón tan grande para que pueda contener las necesidades de todas las almas que viven sobre la faz de la tierra y las almas que sufren en el purgatorio…
Haz a mi corazón sensible a todos los sufrimientos de mi prójimo, sean del cuerpo o del alma.
¡OH JESÚS MIO!, sé que te comportas con nosotros, como nosotros nos comportamos con el prójimo…
Haz a mi corazón semejante a Tú Corazón MISERICORDIOSO.
JESÚS transforme en Tú propio corazón para que pueda sentir las necesidades de otros corazones, especialmente de los que sufren y están tristes. Que los rayos de la misericordia descansen en mi corazón.
JESÚS ayúdame a pasar por la vida haciendo el Bien a todo el mundo.(Santa Faustina)
El hijo prodigo de Rembarndt
Son algo diferentes la una de la otra. La izquierda, sobre el hombro del hijo, es fuerte y musculosa. Los dedos están separados y cubren gran parte del hombro y de la espalda del hijo. Veo cierta presión, sobre todo en el pulgar. Esta mano no sólo toca, sino que también sostiene con su fuerza. Aunque la mano izquierda toca al hijo con gran ternura, no deja de tener firmeza.
¡Qué diferente es la mano derecha! Esta mano no sujeta ni sostiene. Es fina, suave y muy tierna. Los dedos están cerrados y son muy elegantes. Se apoyan tiernamente sobre el hombro del hijo menor. Quiere acariciar, mimar, consolar y confortar. Es la mano de una madre.
Algunos estudiosos sugieren que la mano izquierda masculina es la mano de Rembrandt, y que la derecha es muy parecida a la mano derecha de La novia Judía, pintada en el mismo período. Yo quiero creer que es verdad.
En cuanto me di cuenta de que las dos manos eran diferentes, se abrió ante mí todo un mundo nuevo de significados. El Padre no es sólo el gran patriarca. Es madre y padre. Toca a su hijo con una mano masculina y otra femenina. Él sostiene y ella acaricia. El asegura y ella consuela. Es, sin lugar a dudas, Dios, en quien femineidad y masculinidad, maternidad y paternidad, están plenamente presentes. Esta mano derecha suave y tierna me hace recordar las palabras del profeta Isaías:
"¿Acaso olvida una mujer a su hijo
y no se apiada del fruto de sus entrañas?
Pues aunque ella se olvide, yo no te olvidaré.
Fíjate en mis manos:
te llevo tatuada en mis palmas" (Is 49,15).
[...]
Y así, bajo la forma de un viejo patriarca judío, emerge también un Dios maternal que recibe a su hijo en casa.
